Steve was of the trail. Face and body were beaten hard with the endless struggle of it all. His rough clothing, which had no relation to the smart Inspector's uniform he was entitled to wear, bore witness to the life that claimed him. His only claim to distinction was the sanity and strength that looked out of his steady grey eyes, the firmness and decision of his clean-shaven lips, and his broad, sturdy body with its muscles of iron.

"You'll be tired, too," he went on kindly. "You'd best get to bed when you've had a warm. I'll fix the chores."

He moved from his position at the table, and, passing out into the lean-to kitchen, returned a moment later with a small saucepan which he placed on the shining top of the stove.

"Mrs. Ross seems to figure it was all sorts of a swell party," he went on. "She guesses the boys must have worried themselves to death fixing Abe's saloon so it didn't look like—Abe's saloon."

The man's smile was gently humorous. For once he had not the courage to pursue the downright course which his nature prompted. Little Coqueline was foremost in his thoughts. Then there was the memory of all the happiness his home meant to him, and he feared that which undue precipitancy might bring about.

The girl looked up from the stove. Her eyes abandoned their intense regard with seeming reluctance.

"It was all—wonderful. Just wonderful," she said in the tone of one roused from a beautiful dream.

"Abe's saloon?"

Steve's incautious satire suddenly precipitated the crisis he feared. The girl's eyes flashed a hot look of resentment. He was laughing at her. She was in no mood to be made sport of, or to have her words made sport of. She sat up with a start and leant forward in her chair in an attitude that gave force to her sharp enquiry.

"And why not?" she demanded, her violet eyes darkening under the frown of swift anger which drew her pretty brows together. "Why not Abe's saloon, or—or any other place?" She set her coffee cup on the floor with a clatter, and her hands clasped the arms of her chair as though she were about to spring to her feet. "Yes," she continued, with increasing heat, "why not Abe's saloon? It's not the place. It's not the folk, even. Those things don't matter. It's the thing itself. The whole thing. The glimpse of life when you're condemned to existence on this fierce outworld. It's the meaning of it. A dance. It doesn't sound much. Maybe it doesn't mean a thing to you but something to laugh at, or to sneer at. It's different to me, and to other folks, who—who aren't crazy for the long trail and the terrible country we're buried in. The decorations. The flags. Yes, the cheap Turkey red, and the fiddler's music—a half-breed fiddler—and the music of a pianist who spends most of his time getting sober. The folks who are all different from what we see them every day. Tough, hard-living, hard-swearing men all hidden up in their Sunday suits, and handing you ceremony as if you were some queen. Then the sense of pleasure in every heart, with all the cares and troubles of life pushed into the background—at least for a while. These things are a glimpse of life to us poor folk who spend all our years in the endless chores of an inhospitable country. You can smile, Steve. You can sneer at Abe's saloon. But I tell you you haven't a right to just because these things don't mean a thing to you. There's nothing means anything to you but your work——"