The Baths were of an extensive and sumptuous description—fitted up with almost oriental luxury and comfort, and attached to a monster hotel, built by an enterprising Company of speculators, at an English winter resort, in Hampshire.
The Company had proudly hoped that lavish expenditure, a beautiful situation, and the disinterested recommendation of fashionable physicians, would induce English people to discover that there were spots and places in their own land as healthy and convenient as Auvergne, or Wiesbaden, or the Riviera. But though the coast views were fine, and the scenery picturesque, and the monster hotel itself stood on a commanding eminence, surrounded by darkly-beautiful pine woods, and was fitted up with every luxury of modern civilisation, including every specimen of Bath that human ingenuity had devised, the Company looked blankly at the returns on their balance-sheet, and one or two Directors murmured audible complaints at special Board meetings, against the fashionable physicians who had not acted up to their promises, or proved deserving of the substantial bonus which had been more than hinted at, as a reward for recommended patients.
On this December morning, some half-dozen ladies, of various ages and stability of person, and all suffering, in a greater or less degree, from various fashionable complaints—such as neuralgia, indigestion, rheumatism, or its aristocratic cousin, rheumatic-gout—were in Room Number One of the Turkish Bath.
The female form is generally supposed to be “divine,” and poets and painters have, from time immemorial, rhapsodised over “beauty unadorned.” It is probable that such poets and painters have never been gratified by such a vision of feminine charms as Room Number One presented.
Light and airy garments were, certainly, to be seen, but not—forms. It was, of course, a question of taste, as to whether the fat women, or the thin women, looked the worst—probably the former, if one might judge by the two samples of the lady who had arched feet, and the lady who had not.
Both were staying at the hotel, and were respectively named—Mrs Masterman, and Mrs Ray Jefferson. Mrs Masterman was a widow. Mrs Ray Jefferson had a husband. He was an American, blessed with many dollars, amassed on the strength of an “Invention.” When Mr Jefferson spoke of the Invention, people usually supposed it to be of a mechanical nature. As they became more familiar with him, they learnt that it was something “Chemical.” No one quite knew what, but it became associated in their minds with “vats” and “boilers,” and large works somewhere “down Boston way.” There could be no doubt of the excellence of the Invention, because Mr Ray Jefferson said it was known, and used all over Europe, and its success was backed by dollars to an apparently unlimited extent. The Inventor and his wife had sumptuous rooms, but they were not averse to mixing with their “fellow-man,” or rather “woman,”—for Mrs Jefferson rejoiced in the possession of certain Parisian toilettes, and was not selfish enough to keep them only for the eyes of her lord and master.
She was grudgingly but universally acknowledged to be the best-dressed woman in the hotel—except, of course, when she was in the Turkish Baths, which unfortunately reduced its frequenters to one level of apparelling, a garment which made up in simplicity for any lack of elegance.
The shape was always the same—viz., short in the skirt, low in the neck, and bare as to sleeves. The material was generally pink cotton, or white with a red border.
Mrs Jefferson was quite American enough to have “notions” on dress, more or less original and extravagant. Finding her companion was unusually silent this morning, she gave up her thoughts to the devising of a special toilet for the Bath.
These garments were so hideous, she told herself, that it was no wonder people looked such guys in them. Still there was no reason why she should not have something chic and novel for herself—something which should arouse the envy of, and make the wearer appear quite different to, the other women.