“Now you understand the supersensual fool! Under the lash of a beautiful woman my senses first realized the meaning of woman. In her fur-jacket she seemed to me like a wrathful queen, and from then on my aunt became the most desirable woman on God’s earth.

“My Cato-like austerity, my shyness before woman, was nothing but an excessive feeling for beauty. In my imagination sensuality became a sort of cult. I took an oath to myself that I would not squander its holy wealth upon any ordinary person, but I would reserve it for an ideal woman, if possible for the goddess of love herself.

“I went to the university at a very early age. It was in the capital where my aunt lived. My room looked at that time like Doctor Faustus’s. Everything in it was in a wild confusion. There were huge closets stuffed full of books, which I bought for a song from a Jewish dealer on the Servanica;3 there were globes, atlases, flasks, charts of the heavens, skeletons of animals, skulls, the busts of eminent men. It looked as though Mephistopheles might have stepped out from behind the huge green store as a wandering scholiast at any moment.

[Footnote 3: The street of the Jews in Lemberg.]

“I studied everything in a jumble without system, without selection: chemistry, alchemy, history, astronomy, philosophy, law, anatomy, and literature; I read Homer, Virgil, Ossian, Schiller, Goethe, Shakespeare, Cervantes, Voltaire, Molière, the Koran, the Kosmos, Casanova’s Memoirs. I grew more confused each day, more fantastical, more supersensual. All the time a beautiful ideal woman hovered in my imagination. Every so and so often she appeared before me like a vision among my leather-bound books and dead bones, lying on a bed of roses, surrounded by cupids. Sometimes she appeared gowned like the Olympians with the stern white face of the plaster Venus; sometimes in braids of a rich brown, blue-eyes, in my aunt’s red velvet kazabaika, trimmed with ermine.

“One morning when she had again risen out of the golden mist of my imagination in all her smiling beauty, I went to see Countess Sobol, who received me in a friendly, even cordial manner. She gave me a kiss of welcome, which put all my senses in a turmoil. She was probably about forty years old, but like most well-preserved women of the world, still very attractive. She wore as always her fur-edged jacket. This time it was one of green velvet with brown marten. But nothing of the sternness which had so delighted me the other time was now discernable.

“On the contrary, there was so little of cruelty in her that without any more ado she let me adore her.

“Only too soon did she discover my supersensual folly and innocence, and it pleased her to make me happy. As for myself—I was as happy as a young god. What rapture for me to be allowed to lie before her on my knees, and to kiss her hands, those with which she had scourged me! What marvellous hands they were, of beautiful form, delicate, rounded, and white, with adorable dimples! I really was in love with her hands only. I played with them, let them submerge and emerge in the dark fur, held them against the light, and was unable to satiate my eyes with them.”

Wanda involuntarily looked at her hand; I noticed it, and had to smile.

“From the way in which the supersensual predominated in me in those days you can see that I was in love only with the cruel lashes I received from my aunt; and about two years later when I paid court to a young actress only in the roles she played. Still later I became the admirer of a respectable woman. She acted the part of irreproachable virtue, only in the end to betray me with a rich Jew. You see, it is because I was betrayed, sold, by a woman who feigned the strictest principles and the highest ideals, that I hate that sort of poetical, sentimental virtue so intensely. Give me rather a woman who is honest enough to say to me: I am a Pompadour, a Lucretia Borgia, and I am ready to adore her.”