So far everything went well. I sat beside Wanda, and she chatted very graciously and intelligently with me, as with a good friend, concerning Italy, Pisemski’s new novel, and Wagner’s music. She wore a sort of Amazonesque travelling-dress of black cloth with a short jacket of the same material, set with dark fur. It fitted closely and showed her figure to best advantage. Over it she wore dark furs. Her hair wound into an antique knot, lay beneath a small dark fur-hat from which a black veil hung. Wanda was in very good humor; she fed me candies, played with my hair, loosened my neck cloth and made a pretty cockade of it; she covered my knees with her furs and stealthily pressed the fingers of my hand. When our Jewish driver persistently went on nodding to himself, she even gave me a kiss, and her cold lips had the fresh frosty fragrance of a young autumnal rose, which blossoms alone amid bare stalks and yellow leaves and upon whose calyx the first frost has hung tiny diamonds of ice.
* * * * *
We are at the district capital. We get out at the railway station. Wanda throws off her furs and places them over my arm, and goes to secure the tickets.
When she returns she has completely changed.
“Here is your ticket, Gregor,” she says in a tone which supercilious ladies use to their servants.
“A third-class ticket,” I reply with comic horror.
“Of course,” she continues, “but now be careful. You won’t get on until I am settled in my compartment and don’t need you any longer. At each station you will hurry to my car and ask for my orders. Don’t forget. And now give me my furs.”
After I had helped her into them, humbly like a slave, she went to find an empty first-class coupe. I followed. Supporting herself on my shoulder, she got on and I wrapped her feet in bear-skins and placed them on the warming bottle.
Then she nodded to me, and dismissed me. I slowly ascended a third-class carriage, which was filled with abominable tobacco-smoke that seemed like the fogs of Acheron at the entrance to Hades. I now had the leisure to muse about the riddle of human existence, and about its greatest riddle of all—woman.
* * * * *