The mystical aspirant is directed therefore to leave the glorified image of himself, radiant with the transforming effulgence of Beauty, to escape from his individual self by withdrawing into his own unity, wherein he becomes identified with the Infinite One—εἰς ἓν αὑτῷ ἐλθὼυ, καὶ μήκετι σχίσας, ἓν ὁμοῦ πάντα ἐστὶ μετ᾽ ἐκείνου τοῦ θεοῦ, ἀψοφητὶ παρόντος. Retreating into the inmost recesses of his own being, he there ἔχει πᾶν, καὶ ἀφεὶς τὴν αἴσθησιν εἰς τ᾽ οὐπίσω, τοῦ ἕτερος εἶναι φόβῳ, εἶς ἐστίν ἐκεῖ. No language could more clearly express the doctrine of identity—the object seen and the subject seeing are one. Plotinus triumphantly asks—πῶς οὖν ἕσται τί; ἐν καλῷ, μὴ ὁρμῶν αὐτό· ἤ ὁρῶν αὐτὸ ὡς ἕτερον, οὐδέπω ἐν καλῷ· γενόμενος δὲ αὐτὸ, οὕτω μάλιστα ἐν καλῷ εἰ οὖν ὅρασις τοῦ ἔξο, ὅρασιν μὺν οὐ δεῖ εἶναι, ἢ οὔτως ὡς ταὺτὸν τῷ ὁρατῷ. Ibid. pp. 552-3.
CHAPTER III.
Lume è lassù che visibile face
Lo creatore a quella creatura
Che solo in lui vedere ha la sua pace.[[22]]
Dante.
Mrs. Atherton. I confess I cannot understand what that state of mind can be which Plotinus calls ecstasy in the letter you read us last night, and about which most of your mystical fraternity talk so mysteriously.
Kate. I think I shall have myself mesmerised some day to form an idea.
Willoughby. I suppose the mystic, by remaining for many hours (enfeebled, perhaps, by fast and vigil), absolutely motionless, ceasing to think of anything—except that he thinks he is successful in thinking of nothing, and staring pertinaciously at vacancy, throws himself at last into a kind of trance. In this state he may perceive, even when the eyes are closed, some luminous appearance, perhaps the result of pressure on the optic nerve—I am not anatomist enough to explain; and if his mind be strongly imaginative, or labouring with the ground-swell of recent excitement, this light may shape itself into archetype, dæmon, or what not. In any case, the more distinct the object seen, the more manifestly is it the projection of his own mind—a Brocken-phantom, the enlarged shadow of himself moving on some shifting tapestry of mist.
Kate. Like the woodman described by Coleridge as beholding with such awe an appearance of the kind, when he