Atherton. Add, too, that Greek philosophy, which had always repelled the people, possessed no power to seclude them from the Christianity that sought them out. In vain did it borrow from Christianity a new refinement, and receive some rays of light from the very foe which fronted it——
Willoughby. As is very visible in the higher moral tone of Porphyry’s Treatise on Abstinence.
Atherton. The struggles of heathendom to escape its doom only the more display its weakness and the justice of the sentence.
Gower. Like the man in the Gesta Romanorum, who came to the gate where every humpbacked, one-eyed, scald-headed passenger had to pay a penny for each infirmity: they were going only to demand toll for his hunch, but he resisted, and in the struggle was discovered to be amenable for every deformity and disease upon the table. So, no doubt, it must always be with systems, states, men, and dogs, that won’t know when they have had their day. The scuffle makes sad work with the patched clothes, false teeth, wig, and cosmetics.
Atherton. Life is sweet.
As to Porphyry it was doubtless his more practical temperament that led him to modify the doctrine of Plotinus concerning ecstasy. With Porphyry the mind does not lose, in that state of exaltation, its consciousness of personality. He calls it a dream in which the soul, dead to the world, rises to an activity that partakes of the divine. It is an elevation above reason, above action, above liberty, and yet no annihilation, but an ennobling restoration or transformation of the individual nature.[[27]]
Gower. One of Porphyry’s notions about the spirits of the air, of which you told me in our walk yesterday, quite haunted me afterwards. It contains a germ of poetry.
Kate. By all means let us have it.
Gower. Our philosopher believed in a certain order of evil genii who took pleasure in hunting wild beasts,—dæmons, whom men worshipped by the title of Artemis and other names, falsely attributing their cruelty to the calm and guiltless gods, who can never delight in blood. Some of these natures hunted another prey. They were said to chase souls that had escaped from the fetters of a body, and to force them to re-enter some fleshly prison once more. How I wish we could see a design of this by David Scott! Imagine the soul that has just leaped out of the door of that dungeon of ignorance and pain, the body, as Porphyry would term it, fluttering in its new freedom in the sunshine among the tree-tops, over wild and town—all the fields of air its pleasure-ground for an exulting career on its upward way to join the journeying intelligences in their cars above. But it sees afar off, high in mid-air, a troop of dark shapes; they seem to approach, to grow out of the airy recesses of the distance—they come down the white precipices of the piled clouds, over the long slant of some vapour promontory—forms invisible to man, and, with them, spectre-hounds, whose baying spirits alone can hear. As they approach, the soul recognises its enemies. In a moment it is flying away, away, and after it they sweep—pursuers and pursued, shapes so ethereal that the galleries of the ant are not shaken as hunters and quarry glide into the earth, and not a foam-bell is broken or brushed from the wave when they emerge upon the sea, and with many a winding and double mount the air. At last hemmed in, the soul is forced—spite of that desperate sidelong dart which had all but eluded them—down into a body, the frame of a beggar’s babe or of a slave’s; and, like some struggling bird, drawn with beating wings beneath the water, it sinks into the clay it must animate through many a miserable year to come.
Willoughby. I wish you would paint it for us yourself. You might represent, close by that battle of the spirits, a bird singing on a bough, a labourer looking down, with his foot upon his spade, and peasants dancing in their ‘sunburnt mirth’ and jollity—wholly unconscious, interrupted neither in toil nor pleasure by the conflict close at hand. It might read as a satire on the too common indifference of men to the spiritual realities which are about them every hour.