"But I forget the sermon, which was delivered by a fat priest, who elbowed his way with some difficulty through the crowd to the grating, panting and in a prodigious heat, and ensconced himself in a great armchair close beside us. He assured her that she 'had chosen the good part, which could not be taken away from her;' that she was now one of the elect, 'chosen from among the wickedness and dangers of the world'—(picked out like a plum from a pie). He mentioned with pity and contempt those who were 'yet struggling in the great Babylon,' and compared their miserable fate with hers, the Bride of Christ, who, after suffering a few privations here during a short term of years, should be received at once into a kingdom of glory. The whole discourse was well calculated to rally her fainting spirits, if fainting they were, and to inspire us with a great disgust for ourselves.

"When the sermon was concluded the music again struck up; the heroine of the day came forward, and stood before the grating to take her last look of this wicked world. Down fell the black curtain. Up rose the relations, and I accompanied them into the sacristy. Here they coolly lighted their cigars, and very philosophically discoursed upon the exceeding good fortune of the new-made nun, and on her evident delight and satisfaction with her own situation. As we did not follow her behind the scenes, I could not give my opinion on this point. Shortly after, one of the gentlemen civilly led me to my carriage, and so it was."

A Victim for her Musical Powers.

"In the convent of the Incarnation I saw another girl sacrificed in a similar manner. She was received there without a dowry, on account of the exceeding fineness of her voice. She little thought what a fatal gift it would prove to her. The most cruel part of all was that, wishing to display her fine voice to the public, they made her sing a hymn alone, on her knees, her arms extended in the form of a cross, before all the immense crowd: "Ancilla Christi sum," "The bride of Christ I am." She was a good-looking girl, fat and comely, who would probably have led a comfortable life in the world, for which she seemed well fitted; most likely without one touch of romance or enthusiasm in her composition; but, having the unfortunate honor of being niece to two chanoines, she was thus honorably provided for without expense in her nineteenth year. As might be expected, her voice faltered, and instead of singing, she seemed inclined to cry out. Each note came slowly, heavily, tremblingly; and at last she nearly fell forward exhausted, when two of the sisters caught and supported her."

A Victim of her Confessor.

"She was in purple velvet, with diamonds and pearls, and a crown of flowers; the corsage of her gown was entirely covered with little bows of ribbon of divers colors, which her friends had given her, each adding one, like stones thrown on a cairn in memory of the departed. She had also short sleeves and white satin shoes.

"Being very handsome, with fine black eyes, good teeth, and fresh color, and, above all, with the beauty of youth, for she is but eighteen, she was not disfigured by even this overloaded dress. Her mother, on the contrary, who was to act the part of Madrina, who wore a dress facsimile, and who was pale and sad, her eyes almost extinguished with weeping, looked like a picture of Misery in a ball-dress. In the adjoining room long tables were laid out, on which servants were placing refreshments for the fête about to be given on this joyous occasion. I felt somewhat shocked, and inclined to say with Paul Pry, 'Hope I don't intrude.'

"——, however, was furious at the whole affair, which he said was entirely against the mother's consent, though that of the father had been obtained; and pointed out to me the confessor whose influence had brought it about. The girl herself was now very pale, but evidently resolved to conceal her agitation, and the mother seemed as if she could shed no more tears—quite exhausted with weeping. As the hour for the ceremony drew near, the whole party became more grave and sad, all but the priests, who were smiling and talking together in groups. The girl was not still a moment. She kept walking hastily through the house, taking leave of the servants, and naming, probably, her last wishes about every thing. She was followed by her younger sisters, all in tears.

"But it struck six, and the priests intimated that it was time to move. She and her mother went down stairs alone, and entered the carriage which was to drive them through all the principal streets, to show the nun to the public, according to custom, and to let them take their last look, they of her and she of them. As they got in, we all crowded to the balconies to see her take leave of her house, her aunts saying, 'Yes, child, despidete de tu casa, take leave of your house, for you will never see it again!' Then came sobs from the sisters; and many of the gentlemen, ashamed of their emotion, hastily quitted the room. I hope, for the sake of humanity, I did not rightly interpret the look of constrained anguish which the poor girl threw from the window of the carriage at the home of her childhood.

"At stated periods, indeed, the mother may hear her daughter's voice speaking to her as from the depths of the tomb, but she may never fold her in her arms, never more share in her joys or in her sorrows, or nurse her in sickness; and when her own last hour arrives, though but a few streets divide them, she may not give her dying blessing to the child who has been for so many years the pride of her eyes and heart.