23. The Witch of Atlas. Pen-and-ink and water-colour wash. First reproduced (lacking ornamental border) in "Second Book," again in "Later Work." (Formerly the property of Robert Ross, Esq.)
24. Molière. Blue water-colour wash. First published in "Later Work." (Formerly the property of Robert Ross, Esq.)
25. Die Götterdämmerung. Decorative composition in white and Indian ink, influenced by Burne-Jones. First published in "Second Book," again in "Later Work." (Formerly the property of Robert Ross, Esq.)
26. Soleil Couchant. Decorative composition in Indian ink. (The motif of the central part was subsequently adapted for a vignette in the "Morte Darthur," Book II. chap. xii.) First published in "Later Work." (Formerly the property of the late Hampden Gurney, Esq.)
27. Tannhâuser. Study for decorative composition, in Indian ink. 5-5/8 × 7-1/2 inches. First published in "Later Work." (Property of Dr Rowland Thurnam.) 1891.
28. Withered Spring. Decorative composition in Indian ink. Catalogued in "Fifty Drawings" as "Lament of the Dying Year." (The motif of the central part was subsequently adapted for a vignette in the "Morte Darthur," Book I. chap. xii.) First published in "Later Work." (Property of Dr Rowland Thurnam.)
29. I. Perseus. Pen-and-ink and light wash. Design for an upright panel, with standing nude figure, above it a frieze of smaller figures. 18 × 6-3/4 inches. First published in "Early Work." (Property of Frederick H. Evans, Esq.)
II. A pencil sketch of two figures, unfinished, on the reverse of the preceding. Published in "Early Work."
30. L'Abbé Mouret. Decorative design for frontispiece of Zola's "La Faute de l'Abbé Mouret." Ink and wash. First published in "Under the Hill." John Lane. 1904. (Property of John Lane, Esq.)