99. Head and Shoulders of a Chinese Priest, together with the Head of a Satyr. 25 copies only printed on folio sheet, and 10 copies only in red. It is not known for what they were intended. Published by James Tregaskis, Caxton Head.
100. Les Passades, night scene, in pen-and-ink with ink wash, 10 × 5 inches. First published in To-Day, November 17, 1894, again in the Idler Magazine, March 1897.
101. Venus between Terminal Gods. Frontispiece for a version of the Tannhäuser legend, to be published by Messrs H. Henry & Co. Ltd., a project never completed. Design in black-and-white, showing, especially in the treatment of flying dove and of the background of rose-trellis, the influence of Charles Ricketts or Laurence Housman. Reproduced in "Second Book," and again in "Later Work." Circa 1894-5.
102. Frontispiece and Title-page, together forming one complete design, for "The Story of Venus and Tannhäuser," to be published by John Lane, but never completed. (Cf. "Under the Hill" in The Savoy, 1896.) Reproduced in "Early Work." Dated 1895. (Property of John Lane, Esq.)
103. The Return of Tannhäuser to Venusberg. A design originally intended for the above-named book. Subsequently presented by the artist to J. M. Dent, Esq. First published, in illustration of an article by Max Beerbohm, in the Idler Magazine for May 1898, and again, in larger format and, as the initials in left hand corner show, reversed, in "Second Book" and again in "Later Work." The Idler version has a slight effect of half-tone in the brambles in the foreground, but the "Later Work" reproduction is pure black-and-white contrast.
104. Venus. Design for title-page, in black-and-white. First published in The Studio, 1898, and afterwards in "Early Work," March 2, 1899, where it is described as "hitherto unpublished." (The property of John Lane, Esq.)
105. Design for Cover of "The Cambridge A, B, C." Reproduced in "Early Work."
106. Pierrot as Caddie, Golf Club Card, designed for the opening of The Prince's Ladies' Golf Club, Mitcham, pen-and-ink. Published in "Early Work." (Formerly the property of Mrs Falconer-Stuart, now of R. Hippesley Cox, Esq.) Dated 1894.
107. A Poster Design; two female figures drawn in black-and-white for Mr William Heinemann. Reproduced in "Early Work."