The Savoy, No. 1, January 1896. (Leonard Smithers.)
V. Cover design, in two states. The original was suppressed because it depicted too realistically the contempt of the child in the foreground for the "Yellow Book," with which the artist had recently ceased to be connected. The revised version was republished in "Fifty Drawings," and again in "Later Work." (Property of Mrs George Bealby Wright.)
VI. Title-page. Repeated as title-page in No. 2, and republished in "Later Work."
VII. Drawing to face Contents. Caricature of John Bull. Republished in "Later Work."
VIII. The Three Musicians. Illustration of the artist's poem, same title. Republished in "Fifty Drawings" and "Later Work."
IX. Another drawing to illustrate the above, but withheld. It appeared for the first time in "A Book of Fifty Drawings," 1897. Republished in "Later Work" and "Under the Hill."
X. Tailpiece to the above. Republished in "Later Work" and "Under the Hill."
XI. The Bathers (on Dieppe Beach). Republished in "Fifty Drawings" and "Later Work."
XII. The Moska. This subject was inspired by the children's dance at the Casino, Dieppe. Republished in the Idler Magazine, March 1897, and again in "Later Work." (Property of Mrs Edmund Davis.)
XIII. The Abbé. This and the two designs which follow appeared as illustrations to "Under the Hill," a romantic novel, by Aubrey Beardsley. Republished in "Later Work." All the illustrations of "Under the Hill" reissued with text in a volume bearing same title. John Lane, 1904.