"No, no. Such a trial shall not be put upon you. The arrow is silent, and if it be necessary we will send it through the heart of another on the line, and step over his body. But it is best to attain our object bloodlessly, if possible, for a man killed may cause the hue and cry to be raised after us. Has Roger no poetry to recite to you? No new verses or changes in the old, regarding which he wishes your sage opinions?"
"Oh, he has plenty of new verse, curse him, but I told him I would not wait to hear, saying I believed him no true poet at all, thus leaving him in deep melancholy, leaning on his bow regardless of the strain upon it, as I bent my way up the hill."
"'Tis a pity author and critic should part in anger. Will you then make your way to him again, taking your bow and a well-filled quiver with you. Apologise for your remarks reflecting on his quality as poet; say your bad temper made you speak, and not your critical judgment. Induce him to recite all that is new in his composition, and also some of the old verses, until you hear my signal on the other side of the valley. Then break his bow so that he may not injure you, and fly to us. During the recital we will steal through as silently as we can, trusting to the poet's fervour of genius for our being unseen and unheard. Win to us then if you can; should this be impossible, Conrad and I will have to make our way down the Moselle without you. I will give you an hour to make your peace with the offended Roger, then, when you hear the night bird's cry, know that we are about to steal through the lines. Keep Roger busily engaged without rest until the cry comes to you again from the other side of the valley. If he discover us and is about to give the alarm, I trust that you will let friendship fly to the winds for a short time and promptly throttle him, escaping after, as best you may."
"I will do all I can, even if I have to wring his long neck," said the archer, buckling quiver to his back and taking up his bow. When he had gone Rodolph turned to Conrad.
"Hilda has had a somewhat exciting evening of it, and will be glad to have assurance that you are unhurt. Seek her out, therefore, and bid her farewell for a few days. Ask her, so that you may not be interrupted during your parting, to deliver a message to the Countess Tekla from me. Tell the Countess that I am on the battlements and beg of her indulgence that she meet me there. I value you so highly, Conrad, that I will myself engage the Countess in conversation, so that Hilda may not be called upon by her Ladyship, until your conference is ended. Thus I hope to merit the gratitude of both Hilda and yourself."
"Thank you, my Lord," said Conrad, with a smile as he departed on his mission.
The young Emperor, his hands clasped behind him, paced up and down the broad promenade in the moonlight. He was now at last on the eve of achievement; about to return to his capital and take his rightful place at the head of the State. An army awaited him, quietly accumulated and efficiently drilled. This huge weapon was ready to his hand to be wielded absolutely as pleased him, for the good or for the evil of his country. The young man pondered gravely on the situation. What would be the result? Bloodshed and civil war, or peace and prosperity in the land? Would the Archbishops fight when he ordered the siege to be raised, or would they obey his command? Only a few more moonlight nights lay between him and this knowledge. As he meditated on his danger and hopes, the white slender figure of the Countess came up the steps to the promenade, and he rushed forward to meet her with both hands outstretched.
"Ah, Tekla," he said, "it is kind of you to come."
The girl put her hands in his, but there was an expression of concern on her face.
"What has uncle done with Captain Steinmetz?" she asked.