Yet the Countess felt that in setting up her own will against that of her guardian she was doing an unheard of, unmaidenly act. All women were thus disposed of. How came it that rebellion against just authority arose in her heart? She could not herself account for this strange anomaly, and she feared that evil lurked somewhere in her nature. She had confessed this feeling to her spiritual adviser, and he had mildly, reproachfully censured her for it, placing her under penance that she willingly endured, hoping it would bring about a change; but it had not, and she shuddered every time the battle-scarred face of Count Bertrich leered upon her. The Countess knelt before the image of her patron saint and implored help; help to decide; help to oppose; help to submit; but the placid saint had sent, as yet, no solution of the problem.
When last the Archbishop spoke, he spoke as one giving final decision and he permitted neither reply nor comment. The days by the river were slipping away and none knew how soon the Archbishop might suddenly make up his mind to return to Treves. Then the Cathedral, and the wedding procession! Why had Hilda spoken of the river and the skiff; that wild project which she had prayed for help to put out of her mind? Was this then an indication that her saint had come to a decision and that too in her favour? It certainly seemed so.
She resolved to seek her guardian, throw herself at his feet and implore him by the love he had once held for her father, who had lost his life in the Archbishop's service, to release her from this loathed union. She would give up her lands willingly, if that were required, and would retire to a convent in Treves, or to any other place of refuge that might be appointed.
Arnold von Isenberg sat in a chair that was with difficulty to be distinguished from a throne. The back rose high above his head, and at the top was carved in gilded relief the arms of the Electorate. The tall pointed coloured windows by the river, cast a subdued radiance of many hues on the smooth surface of the polished oaken floor. The lofty timbered roof of the large room gave the apartment the appearance of a chapel, which effect was heightened by an altar at one end, where several high wax candles burned unceasingly.
Near the Archbishop, by a table, sat the monkish secretary, who wrote at his Lordship's slow dictation, orders pertaining to business both ecclesiastical and military. At the door of the room, which was concealed by a heavy crimson curtain, stood two fully-mailed men-at-arms, with tall pikes upright, whose ends rested on the polished floor. Near them, out of hearing of the Archbishop's low voice, stood, cap in hand, a courier equipped for riding, evidently awaiting the despatches which the monk was writing. Deep silence pervaded the great room and each person within it was motionless, save only the monk, who now was tying the despatches into bundles and sealing them at the small candle which burned on the table beside him.
The heavy drapery over the door parted, and a retainer entered softly, standing with his back to the curtain until a scarcely perceptible motion of the Archbishop's head permitted him to advance. Dropping on one knee before the seated monarch, he said:
"My Lord Archbishop, the Countess Tekla begs to be admitted."
The Archbishop made no reply, and the messenger remained on his knee. The despatches were given to the waiting courier, who departed. Then his Lordship said curtly, "Admit her."
The messenger, rising, went to the door, held back the curtains, and a moment later there glided into the room the Countess Tekla, who stood pale against the crimson background. The Archbishop regarded her with a dark and menacing look, but gave no other greeting. Seeing no motion which invited her to approach, the girl, after standing a moment or two in hesitation, moved swiftly forward and sank down before the throne.