At this there was an outcry on the part of Countess Beatrix, who protested against her husband placing himself in this unnecessary jeopardy, but the Count was firm and would permit no interference with his sentence. Elsa was in despair at the unaccountable blindness of all concerned, not knowing that the Count was convinced his son was dead, and that the Countess thought continually of her boy as a child of four, taking no account of the years that had passed, although her reason, had she applied reason to that which touched her affections only, would have told her, he must now be a stalwart young man and not the little lad she had last held in her arms. For a moment Elsa wavered in her allegiance to the oath she had taken, but she saw against the wall the great crucifix which had been placed there by the first crusader who had returned to the castle from the holy wars and she breathed a prayer as she passed it, that the heir of this stubborn house might not be cut off in his youth through the sightless rancour that seemed to pervade it.
The Count tried to persuade his weeping wife not to accompany him to the walls, but she would not be left behind, and so, telling Conrad to keep close watch upon her, in case that in her despair she might attempt to harm herself, his lordship led the way to the battlements.
Wilhelm, at first jubilant that he was allowed to take part in a sword contest rather than an execution, paused for a moment as he came to the courtyard, and looked about him in a dazed manner, once or twice drawing his hand across his eyes, as if to perfect his vision. Some seeing him thus stricken silent and thoughtful, surmised that the young man was like to prove more courageous in word than in action; others imagined that the sudden coming from the semi-gloom of the castle interior into the bright light dazzled him. The party climbed the flight of stone steps which led far upward to the platform edged by the parapet from which the spring was to be made. The young man walked up and down the promenade, unheeding those around him, seeming like one in a dream, groping for something he failed to find. The onlookers watched him curiously, wondering at his change of demeanour.
Suddenly he dropped his sword on the stones at his feet, held up his hands and cried aloud:
“I have jumped from here before—when I was a lad—a baby almost—I remember it all now—where am I—when was I here before—where is my wooden sword—and where is Conrad, who made it—Conrad, where are you?”
The captain was the first to realise what had happened. He stepped hurriedly forward, scrutinising his late prisoner, the light of recognition, in his eyes.
“It is the young master,” he shouted. “My Lord Count, this is no kinsman of the Outlaw, but your own son, a man grown.”
The Count stood amazed, as incapable of motion as a statue of stone; the countess, gazing with dreamy eyes, seemed trying to adjust her inward vision of the lad of four with the outward reality of the man of twenty-one. In the silence rose the clear sweet voice of Elsa without the walls, her face upturned like a painting of the Madonna, her hands clasped in front of her.
“Dear Virgin Mother in Heaven, I thank thee that my prayer was not unheard, and bear me witness that I have kept my oath—I have kept my oath, and may Thy intervention show a proud and sinful people the blackness of revenge.”
Count Herbert, rousing himself from his stupor, appealed loudly to the girl.