Celebrated critics have written with scorn of what they call 'the long arm of coincidence' in fiction. Coincidence is supposed to be the device of a novelist who does not possess ingenuity enough to construct a book without it. In France our incomparable writers pay no attention to this, because they are gifted with a keener insight into real life than is the case with the British. The superb Charles Dickens, possibly as well known in France as he is wherever the English language is read, and who loved French soil and the French people, probably probed deeper into the intricacies of human character than any other novelist of modern times, and if you read his works, you will see that he continually makes use of coincidence. The experience that has come to me throughout my own strange and varied career convinces me that coincidence happens in real life with exceeding frequency, and this fact is especially borne in upon me when I set out to relate my conflict with the Rantremly ghost, which wrought startling changes upon the lives of two people, one an objectionable, domineering man, and the other a humble and crushed woman. Of course, there was a third person, and the consequences that came to him were the most striking of all, as you will learn if you do me the honour to read this account of the episode.
So far as coincidence is concerned, there was first the arrival of the newspaper clipping, then the coming of Sophia Brooks, and when that much-injured woman left my flat I wrote down this sentence on a sheet of paper:—
'Before the week is out, I predict that Lord Rantremly himself will call to see me.'
Next day my servant brought in the card of Lord Rantremly.
I must begin with the visit of Sophia Brooks, for though that comes second, yet I had paid no attention in particular to the newspaper clipping until the lady told her story. My man brought me a typewritten sheet of paper on which were inscribed the words:—
'Sophia Brooks, Typewriting and Translating Office, First Floor, No. 51 Beaumont Street, Strand, London, W.C.'
'Tell the lady as kindly as possible that I have no typewriting work to give out, and that, in fact, I keep a stenographer and typewriting machine on the premises.'
A few moments later my man returned, and said the lady wished to see me, not about typewriting, but regarding a case in which she hoped to interest me. I was still in some hesitation about admitting her, for my transactions had now risen to a higher plane than when I was new to London. My expenses were naturally very heavy, and it was not possible for me, in justice to myself, to waste time in commissions from the poor, which even if they resulted successfully meant little money added to my banking account, and often nothing at all, because the client was unable to pay. As I remarked before, I possess a heart the most tender, and therefore must greatly to my grief, steel myself against the enlisting of my sympathy, which, alas! has frequently led to my financial loss. Still, sometimes the apparently poor are involved in matters of extreme importance, and England is so eccentric a country that one may find himself at fault if he closes his door too harshly. Indeed, ever since my servant, in the utmost good faith, threw downstairs the persistent and tattered beggar-man, who he learned later to his sorrow was actually his Grace the Duke of Ventnor, I have always cautioned my subordinates not to judge too hastily from appearances.
'Show the lady in,' I said, and there came to me, hesitating, backward, abashed, a middle-aged woman, dressed with distressing plainness, when one thinks of the charming costumes to be seen on a Parisian boulevard. Her subdued manner was that of one to whom the world had been cruel. I rose, bowed profoundly, and placed a chair at her disposal, with the air I should have used if my caller had been a Royal Princess. I claim no credit for this; it is of my nature. There you behold Eugène Valmont. My visitor was a woman. Voilà!