25 Aug. 1800.
PREFACE
Having the satisfaction of introducing to the Public this very pleasing and characteristic POEM, the FARMER'S BOY, I think it will be agreeable to preface it with a short Account of the manner in which it came into my hands: and, which will be much more interesting to every Reader, a little History of the Author, which has been communicated to me by his Brother, and which I shall very nearly transcribe as it lies before me.
In November last year [Footnote: This was written in 1799.] I receiv'd a MS. which I was requested to read, and to give my opinion of it. It had before been shewn to some persons in London: whose indifference toward it may probably be explain'd when it is consider'd that it came to their hands under no circumstances of adventitious recommendation. With some a person must be rich, or titled, or fashionable as a literary name, or at least fashionable in some respect, good or bad, before any thing which he can offer will be thought worthy of notice.
I had been a little accustom'd to the effect of prejudices: and I was determin'd to judge, in the only just and reasonable way, of the Work, by the Work itself.
At first I confess, seeing it divided into the four Seasons, I had to encounter a prepossession not very advantageous to any writer: that the Author was treading in a path already so admirably trod by THOMSON; and might be adding one more to an attempt already so often, but so injudiciously and unhappily made, of transmuting that noble Poem from Blank Verse into Rhime; … from its own pure native Gold into an alloyed Metal of incomparably less splendor, permanence, and worth.
I had soon, however, the pleasure of finding myself reliev'd from that apprehension: and of discovering, that, although the delineation of RURAL SCENERY naturally branches itself into these divisions, there was little else except the General Qualities of a musical ear, flowing numbers, Feeling, Piety, poetic Imagery and Animation, a taste for the picturesque, a true sense of the natural and pathetic, force of thought, and liveliness of imagination, which were in common between Thomson and this Author. And these are qualities which whoever has the eye, the heart, the awakened and surrounding intellect, and the diviner sense of the Poet, which alone can deserve the name, must possess.
But, with these general Characters of true Poetry, "The Farmer's Boy" has, as I have said, a character of its own. It is discriminated as much as the circumstances and habits, and situation, and ideas consequently associated, which are so widely diverse in the two Authors, could make it different. Simplicity, sweetness, a natural tenderness, that molle atque facetum which HORACE celebrates in the Eclogues of VIRGIL, will be found to belong to it.
I intend some farther and more particular CRITICAL REMARKS on this charming Performance. But I now pass to the Account of the Author himself, as given me by his Brother:… a Man to whom also I was entirely a stranger:… but whose Candor, good Sense, and brotherly Affection, appear in this Narrative; and of the justness of whose Understanding, and the Goodness of his Heart, I have had many Proofs, in consequence of a correspondence with him on different occasions which have since arisen, when this had made me acquainted with him, and interested me in his behalf.
In writing to me, Mr. GEORGE BLOOMFIELD, who is a Shoemaker also, as his
Brother, and lives at BURY, thus expresses himself.