— St. 5. yours, to watch the olive and wait the vine: “olive” and “vine” are used metaphorically for the capabilities of her husband’s nature.
6.
Well, and if none of these good things came,
What did the failure prove?
The man was my whole world, all the same,
With his flowers to praise or his weeds to blame,
And, either or both, to love.
— St. 6. The failure of fruit in her husband proved the absoluteness of her love, proved that he was her all, notwithstanding.
7.
Yet this turns now to a fault—there! there!
That I do love, watch too long,
And wait too well, and weary and wear;
And ‘tis all an old story, and my despair
Fit subject for some new song:
— St. 7. Yet this turns now to a fault: i.e., her watching the olive and waiting the vine of his nature. there! there!: I’ve come out plainly with the fact.
8.
“How the light, light love, he has wings to fly
At suspicion of a bond:
My wisdom has bidden your pleasure good-bye,
Which will turn up next in a laughing eye,
And why should you look beyond?”
— St. 8. bond: refers to what is said in St. 7; why should you look beyond?: i.e., beyond a laughing eye, which does not “watch” and “wait”, and thus “weary” and “wear”.
V. On the Cliff.
1.
I leaned on the turf,
I looked at a rock
Left dry by the surf;
For the turf, to call it grass were to mock:
Dead to the roots, so deep was done
The work of the summer sun.
2.
And the rock lay flat
As an anvil’s face:
No iron like that!
Baked dry; of a weed, of a shell, no trace:
Sunshine outside, but ice at the core,
Death’s altar by the lone shore.