The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices—“E’en so, it is so!”
Stanza 14.—Observe the meeting of the human and divine in the poet-prophet’s inspiration. As poet, his powers were in their fullest exercise, and still there was an unfathomable heaven of the unknown above him, till “one lift of Thy hand cleared that distance.”
The close of this stanza sets before us the scene of the writing of this reminiscence.
Stanza 15.—The soothing influence of the singing begins to appear. Be sure to keep in mind the picture, so wonderfully illustrated, of the attitude of the two; and mark the words of David, “All my heart how it loved him,” connecting them carefully with the next stanza (16), “Then the truth came upon me.” It is only to the earnestly-loving heart that such a revelation of God could be given. “God is Love, and he that loveth not knoweth not God.” Observe, also, in this short stanza the effect of the intense earnestness of his soul, leading him to lay aside his harp and cease his singing, and simply break out in impassioned speech.
Stanza 17.—Shall God be infinitely above his creature man, in all faculties except one, and that “the greatest of all,” viz., Love? (Note, in passing, the exquisite beauty of the lines: “With that stoop of the soul which in bending upraises it too,” and “As by each new obeisance in spirit, I climb to his feet.” The passage immediately following this line is of course ironical at his own expense, which is indicated by the parenthetical “I laugh as I think”; as if to say “how utterly foolish the thought that such a wide province, such a grand gift, as Love, should be mine quite apart from God, the great Ruler and Giver of all!”)