A representation of the Rostra of the Empire which may have stood here is given in the relief on the face of the Arch of Constantine, which looks towards the Coliseum, where three arches are seen, corresponding to the Arch of Severus on the right, and one arch corresponding to that of Tiberius on the left. Constantine is shown in this bas-relief addressing the people from the rostra.
The Carcer.
Under the church of S. Giuseppe dei Falegnami, which stands near the Arch of Severus, are two chambers, which are always shown as the ancient prison of Rome, said to have been first built by the King Ancus Martius, and then rebuilt or enlarged by Servius Tullius. The upper of these two chambers is of an irregular shape, but the lower is constructed in a conical form by the gradual projection of the stones forming the sides. This mode of building an arch is of very early date, before the introduction of the principle of the round arch, and is found in the oldest tombs of Etruria, and in well-houses at Tusculum and Cære.[63]
There can be no doubt that this part of the building is of great antiquity. But the proofs that it ever formed a prison are not so clear. This has been inferred from the striking account of the imprisonment of Jugurtha by Sallust, who states that Jugurtha was placed in a cell with water at the bottom, and exclaimed, “Hercules, how cold your bath is!” Hence it has been thought that the prison must have had water in it, as this chamber has on the floor.
Another proof that this is the ancient prison, called in the middle ages the Mamertine prison, from a statue of Mars or Mamers, or from the Forum Martis near it, has been derived from the statements of many Roman authors, who place the prison on the slope of the Capitol, near the Forum, and speak of an inferior as well as a superior chamber. The prison was probably in this neighbourhood, but the shape of the conical vault is rather that of a well-house. Mommsen has therefore suggested that this was the original purpose of the lower chamber, and that it was used as a cistern for collecting the water from the surrounding slopes. The top of the ancient conical vault is truncated and closed, with the exception of a round hole, by slabs of stone fastened together with iron cramps.
A communication with the arched sewers which run down to the Forum, and also with an archway which reaches up the slope to some large chambers on the north-west under the Vicolo del Ghettarello, has been opened by Mr. Parker, and these longer vaulted chambers which are of great antiquity, have been taken to be extensions of the original regal prison. But there is no sufficient evidence to show that these arched passages were used for any purpose of transit, and they were more probably channels for draining off the water, which would otherwise have accumulated in the chambers or on the slopes.[64]
An inscription is fixed in the outer wall, recording a restoration of the building by the Consuls C. Vibius Rufinus and M. Cocceius Nerva, as ordered by a decree of the Senate. These two men were consules suffecti before A.D. 24, probably in A.D. 22, the ninth year of Tiberius. But the name of the building is not mentioned in this inscription, and it seems uncertain whether it has not been removed from elsewhere.
There was another and larger prison in this district, and this larger prison was called the Lautumiæ. Forty-three Ætolian prisoners are said by Livy to have been crucified in the Lautumiæ, which must therefore have been certainly much more extensive than the cell which is called the Carcer Mamertinus. Seneca also mentions the request of a prisoner, Julius Sabinus, that he might be removed from the Carcer to the Lautumiæ.[65] There seems, therefore, to be no distinct proof that the conical cell was ever anything more than a water tank, and the name of prison which has been attached to it is probably a mediæval legend invented to indicate a spot which might be venerated as the prison of St. Peter.
Tabularium.
On the side of the Capitoline Hill towards the Forum, a very high and wide mass of building, now called the Palace of the Senator, and used for the transaction of urban business, stands. This is founded upon an ancient range of masonry of which a considerable part still remains, measuring about 220 feet in length, and 50 feet in height. An entrance has been made from the Via del Campidoglio, and as the wall was cut through for this purpose, the structure of the building may be best observed here. On the inner side red tufa has been used, and on the outer grey peperino, and the blocks are laid alternately lengthwise and crosswise, as in the Servian wall building. A great mass of masonry of this sort without cement, forms the main substructions of the building. Along the front run the traces of an arcaded passage, which anciently led across from one side to the other of the building. The arches were walled up by Nicolas V., in order to bear modern buildings above them. One has now been opened to show the architecture. A pavement of basaltic lava, such as was used in the streets of ancient Rome, has been found in the arcade, showing that it was a public passage. The architecture of the building is Doric, which points to an early date, and the capitals and cornice are of travertine. It is probable that another arcade ran above the one now traceable. A high flight of steps leads up into the chambers from the archway now walled up at the back of the Temple of Vespasian. From the architecture it may be concluded that these remains of a large ancient building date from the republican times of Rome, and are almost the only relics of that era. This ruin is generally called the Tabularium, but it has been shown by Mommsen that there is no ground for supposing that the name was ever applied to it in any ancient writings, and that the name is more properly Ærarium Populi Romani, or Ærarium Saturni, and that it was attached to the Temple of Saturn. Many of the temples in Rome had æraria attached to them, and it does not appear that any central place of deposit ever had the name of Tabularium alone, without further title, especially applied to it. The inscription which has been placed at the entrance, and records the construction of some building, or part of a building by Q. Lutatius Catulus, when consul, was placed where it now stands by Canina. It is supposed by Mommsen to refer to the repairs and alterations of the vaults under the Capitol, which were carried out in pursuance of Sulla’s plan of improvements on the Capitol, and after Sulla’s death were continued for many years by Q. Catulus.[66]