“Mighty tempest, and the hoary waste
Abrupt and deep, stretch’d o’er the buried earth,”—
which raises the mind to a serious sublimity, favourable to everything great and noble. There is scarcely any earthly object gives me more—I do not know if I should call it pleasure—but something which exalts me, something which enraptures me—than to walk in the sheltered side of a wood, or high plantation, in a cloudy winter-day, and hear the stormy wind howling among the trees, and raving over the plain. It is my best season for devotion: my mind is wrapt up in a kind of enthusiasm to Him, who, in the pompous language of the Hebrew bard, “walks on the wings of the wind.” In one of these seasons, just after a train of misfortunes, I composed the following:—
The wintry west extends his blast.[146]
Shenstone finely observes, that love-verses, writ without any real passion, are the most nauseous of all conceits; and I have often thought that no man can be a proper critic of love-composition, except he himself, in one or more instances, have been a warm votary of this passion. As I have been all along a miserable dupe to love, and have been led into a thousand weaknesses and follies by it, for that reason I put the more confidence in my critical skill, in distinguishing foppery and conceit from real passion and nature. Whether the following song will stand the test, I will not pretend to say, because it is my own; only I can say it was, at the time, genuine from the heart:—
Behind yon hills, where Lugar flows.[147]
March, 1784.
There was a certain period of my life that my spirit was broke by repeated losses and disasters which threatened, and indeed effected, the utter ruin of my fortune. My body, too, was attacked by that most dreadful distemper, a hypochondria, or confirmed melancholy. In this wretched state, the recollection of which makes me shudder, I hung my harp on the willow trees, except in some lucid intervals, in one of which I composed the following:—
O thou Great Being! what Thou art.[148]