CLXIV.
TO MR. M’AULEY.
[The poet made the acquaintance of Mr. M’Auley, of Dumbarton, in one of his northern tours,—he was introduced by his friend Kennedy.]
Ellisland, 4th June, 1789.
Dear Sir,
Though I am not without my fears respecting my fate, at that grand, universal inquest of right and wrong, commonly called The Last Day, yet I trust there is one sin, which that arch-vagabond, Satan, who I understand is to be king’s evidence, cannot throw in my teeth, I mean ingratitude. There is a certain pretty large quantum of kindness for which I remain, and from inability, I fear, must still remain, your debtor; but though unable to repay the debt, I assure you, Sir, I shall ever warmly remember the obligation. It gives me the sincerest pleasure to hear by my old acquaintance, Mr. Kennedy, that you are, in immortal Allan’s language, “Hale, and weel, and living;” and that your charming family are well, and promising to be an amiable and respectable addition to the company of performers, whom the Great Manager of the Drama of Man is bringing into action for the succeeding age.
With respect to my welfare, a subject in which you once warmly and effectively interested yourself, I am here in my old way, holding my plough, marking the growth of my corn, or the health of my dairy; and at times sauntering by the delightful windings of the Nith, on the margin of which I have built my humble domicile, praying for seasonable weather, or holding an intrigue with the muses; the only gipsies with whom I have now any intercourse. As I am entered into the holy state of matrimony, I trust my face is turned completely Zion-ward; and as it is a rule with all honest fellows to repeat no grievances, I hope that the little poetic licenses of former days will of course fall under the oblivious influence of some good-natured statute of celestial prescription. In my family devotion, which, like a good Presbyterian, I occasionally give to my household folks, I am extremely fond of that psalm, “Let not the errors of my youth,” &c., and that other, “Lo, children are God’s heritage,” &c., in which last Mrs. Burns, who by the bye has a glorious “wood-note wild” at either old song or psalmody, joins me with the pathos of Handel’s Messiah.
R. B.