If you mean, my dear Sir, that all the songs in your collection shall be poetry of the first merit, I am afraid you will find more difficulty in the undertaking than you are aware of. There is a peculiar rhythmus in many of our airs, and a necessity of adapting syllables to the emphasis, or what I would call the feature-notes of the tune, that cramp the poet, and lay him under almost insuperable difficulties. For instance, in the air, “My wife’s a wanton wee thing,” if a few lines smooth and pretty can be adapted to it, it is all you can expect. The following were made extempore to it; and though on further study I might give you something more profound, yet it might not suit the light-horse gallop of the air so well as this random clink:—
My wife’s a winsome wee thing, &c.[203]
I have just been looking over the “Collier’s bonny dochter;” and if the following rhapsody, which I composed the other day, on a charming Ayrshire girl, Miss Lesley Baillie, as she passed through this place to England, will suit your taste better than the “Collier Lassie,” fall on and welcome:—
O, saw ye bonny Lesley? &c.[204]
I have hitherto deferred the sublimer, more pathetic airs, until more leisure, as they will take, and deserve, a greater effort. However, they are all put into your hands, as clay into the hands of the potter, to make one vessel to honour, and another to dishonour. Farewell, &c.
R. B.