Fiction is the soul of many a song that is nobly great. Perhaps I am wrong: this may be but a prose criticism. Is not the phrase, in line 7, page 6, "Great lake," too much vulgarised by every-day language for so sublime a poem?
Great mass of waters, theme for nobler song,
is perhaps no emendation. His enumeration of a comparison with other lakes is at once harmonious and poetic. Every reader's ideas must sweep the
Winding margin of a hundred miles.
The perspective that follows mountains blue—the imprisoned billows beating in vain—the wooded isles—the digression on the yew-tree—"Benlomond's lofty, cloud-envelop'd head," etc., are beautiful. A thunder-storm is a subject which has been often tried, yet our poet, in his grand picture, has interjected a circumstance, so far as I know, entirely original in
the gloom
Deep seam'd with frequent streaks of moving fire.
In his preface to the Storm, "the glens how dark between," is noble highland landscape! The "rain ploughing the red mould," too, is beautifully fancied. "Benlomond's lofty, pathless top," is a good expression; and the surrounding view from it is truly great: the
silver mist,
Beneath the beaming sun,
is well described; and here he has contrived to enliven his poem with a little of that passion which bids fair, I think, to usurp the modern muses altogether. I know not how far this episode is a beauty on the whole, but the swain's wish to carry "some faint idea of the vision bright," to entertain her "partial listening ear," is a pretty thought. But, in my opinion, the most beautiful passages in the whole poem are the fowls crowding, in wintry frosts, to Lochlomond's "hospitable flood;" their wheeling round; their lighting, mixing, diving, etc.; and the glorious description of the sportsman. This last is equal to anything in the "Seasons." The idea of "the floating tribes distant seen, far glistering to the moon," provoking his eye as he is obliged to leave them, is a noble ray of poetic genius.
The "howling winds," the "hideous roar" of "the white cascades," are all in the same style.
I forget that while I am thus holding forth, with the heedless warmth of an enthusiast, I am perhaps tiring you with nonsense. I must, however, mention that the last verse of the sixteenth page is one of the most elegant compliments I have ever seen. I must likewise notice that beautiful paragraph beginning "The gleaming lake," etc. I dare not go into the particular beauties of the last two paragraphs, but they are admirably fine, and truly Ossianic. I must beg your pardon for this lengthened scrawl. I had no idea of it when I began—I should like to know who the author is; but, whoever he be, please present him with my grateful thanks for the entertainment he has afforded me.[90]
A friend of mine desired me to commission for him two books, Letters on the Religion essential to Man, a book you sent me before; and The World Unmasked, or the Philosopher the greatest Cheat. Send me them by the first opportunity. The Bible you sent me is truly elegant; I only wish it had been in two volumes. R. B.