When I tell you, Madam, that by a fall, not from my horse, but with my horse, I have been a cripple some time, and that this is the first day my arm and hand have been able to serve me in writing,—you will allow that it is too good an apology for my seemingly ungrateful silence. I am now getting better, and am able to rhyme a little, which implies some tolerable ease; as I cannot think that the most poetic genius is able to compose on the rack.
I do not remember if ever I mentioned to you my having an idea of composing an elegy on the late Miss Burnet, of Monboddo. I had the honour of being pretty well acquainted with her, and have seldom felt so much at the loss of an acquaintance, as when I heard that so amiable and accomplished a piece of God's work was no more. I have, as yet, gone no farther than the following fragment, of which please let me have your opinion. You know that elegy is a subject so much exhausted, that any new idea on the business is not to be expected: 'tis well if we can place an old idea in a new light. How far I have succeeded as to this last, you will judge from what follows. I have proceeded no further.
Your kind letter, with your kind remembrance of your godson, came safe. This last, Madam, is scarcely what my pride can bear. As to the little fellow,[118a] he is, partiality apart, the finest boy I have of a long time seen. He is now seventeen months old, has the small-pox and measles over, has cut several teeth, and never had a grain of doctor's drugs in his bowels.
I am truly happy to hear that the "little floweret" is blooming so fresh and fair, and that the "mother plant" is rather recovering her drooping head. Soon and well may her "cruel wounds" be healed! I have written thus far with a good deal of difficulty. When I get a little abler you shall hear farther from, Madam, yours,
R. B.
[118a] The infant was Francis Wallace, the Poet's second son.
CLXI.—To THE REV. ARCH. ALISON.
ELLISLAND,
near Dumfries 14th Feb. 1791.
Sir,—You must by this time have set me down as one of the most ungrateful of men. You did me the honour to present me with a book, which does honour to science and the intellectual powers of man, and I have not even so much as acknowledged the receipt of it. The fact is, you yourself are to blame for it. Flattered as I was by your telling me that you wished to have my opinion of the work, the old spiritual enemy of mankind, who knows well that vanity is one of the sins that most easily beset me, put it into my head to ponder over the performance with the look-out of a critic, and to draw up forsooth a deep learned digest of strictures on a composition, of which, in fact, until I read the book, I did not even know the first principles. I own, Sir, that at first glance, several of your propositions startled me as paradoxical. That the martial clangour of a trumpet had something in it vastly more grand, heroic, and sublime, than the twingle twangle of a Jews-harp; that the delicate flexure of a rose-twig, when the half-blown flower is heavy with the tears of the dawn, was infinitely more beautiful and elegant than the upright stub of a burdock; and that from something innate and independent of all associations of ideas;-these I had set down as irrefragable, orthodox truths, until perusing your book shook my faith. In short, Sir, except Euclid's Elements of Geometry, which I made a shift to unravel by my father's fire-side, in the winter evening of the first season I held the plough, I never read a book which gave me such a quantum of information, and added so much to my stock of ideas, as your Essays on the Principles of Taste. One thing, Sir, you must forgive my mentioning as an uncommon merit in the work, I mean the language. To clothe abstract philosophy in elegance of style, sounds something like a contradiction in terms; but you have convinced me that they are quite compatible.