ELLISLAND, 2
th March
1791.
If the foregoing piece be worth your strictures, let me have them. For my own part, a thing I have just composed always appears through a double portion of that partial medium in which an author will ever view his own works. I believe, in general, novelty has something in it that inebriates the fancy, and not unfrequently dissipates and fumes away like other intoxication, and leaves the poor patient, as usual, with an aching heart. A striking instance of this might be adduced, in the revolution of many a hymeneal honeymoon. But lest I sink into stupid prose, and so sacrilegiously intrude on the office of my parish priest, I shall fill up the page in my own way, and give you another song of my late composition, which will appear perhaps in Johnson's work, as well as the former.
You must know a beautiful Jacobite air, There'll never be peace till Jamie comes hame. When political combustion ceases to be the object of princes and patriots, it then, you know, becomes the lawful prey of historians and poets.
By yon castle wa' at the close of the day,
I heard a man sing, tho' his head it was grey;
And as he was singing, the tears fast down came—
There'll never be peace till Jamie comes hame.
If you like the air, and if the stanzas hit your fancy, you cannot imagine, my dear friend, how much you would oblige me, if, by the charms of your delightful voice, you would give my honest effusion, to "the memory of joys that are past," to the few friends whom you indulge in that pleasure. But I have scribbled on till I hear the clock has intimated the near approach of
That hour, o' night's black arch the key-stane.
So good night to you! Sound be your sleep, and delectable your dreams! Apropos, how do you like this thought in a ballad I have just now on the tapis?—
I look to the west when I gae to my rest,
That happy my dreams and my slumbers may be;
Far, far in the west is he I lo'e best,
The lad that is dear to my babie and me!