Queen Mary’s Harp.
1564.
The queen, in the course of her excursion, is believed to have taken an interest in the native music of the Highlands, in which, as in Ireland, the harp bore a distinguished part. It is even reported that a kind of competition amongst the native harpers took place in her presence, at which she adjudged the victory to Beatrix Gardyn, of Banchory, Aberdeenshire. Certain it is, that the Robertsons of Lude possessed a harp of antique form, which family tradition represented as having come to them through a descendant of Beatrix Gardyn, who had married a Robertson of Lude; and the same authority regarded this harp with veneration, as having been the prize conferred on the fair Beatrix by Queen Mary, for her superior excellence as a performer on the instrument.[33] Queen Mary’s harp, as it is called, is now in the possession of Mr Stewart of Dalguise.[34] It is a small instrument compared with the modern harp, being fitted for twenty-eight strings, the longest extending twenty-four inches, the shortest two and a half. There had once been gems set in it, and also, it is supposed, a portrait of the queen. It was strung anew and played upon in 1806.
This summer there was ‘guid cheap of victuals in all parts. The year afore, the boll of meal gave five merk, and this summer it was 18s. There ye may see the grace of God.’—C. F.
Oct.
‘... William Smibert, being callit before the kirk [session of the Canongate] why he sufferit his bairn to be unbaptised, answers: “No, I have my bairn baptised, and that in the queen’s grace’s chapel,” because, as he allegit, the kirk refusit him; and being requirit wha was witness unto the child, answers: “I will show no man at this time.” For the whilk, James Wilkie, bailie, assistant with the kirk, commands the said William to be halden in ward until he declare wha was his witness, that the kirk may be assurit the bairn to be baptisit, and by wham.’—Kirk-session Rec. of Canongate.
1564-5. Jan.