The Cunyie House, as the Scottish Mint used to be called, was near Holyrood Palace in the days of Queen Mary. In the regency of Morton a large house was erected for it in the Cowgate, where it may still be seen,[220] with the following inscription over the door:

BE. MERCYFULL. TO. ME. O. GOD. 1574.

In the reign of Charles II. other buildings were added behind, forming a neat quadrangle; and here was the Scottish coin produced till the Union, when a separate coinage was given up and this establishment abandoned; though, to gratify prejudice, the offices were still kept up as sinecures. This court with its buildings was a sanctuary for persons prosecuted for debt, as was the King’s Stables, a mean place at the west end of the Grassmarket. There was, however, a small den near the top of the oldest building, lighted by a small window looking up the Cowgate, which was used as a jail for debtors or other delinquents condemned by the Mint’s own officers.

In the western portion of the old building, accessible by a stair from the court, is a handsome room with an alcove ceiling, and lighted by two handsomely proportioned windows, which is known to have been the council-room of the Mint, being a portion of the private mansion of the master. Here, in May 1590, on a Sunday evening, the town of Edinburgh entertained the Danish lords who accompanied James VI. and his queen from her native court—namely, Peter Monk, the admiral of Denmark; Stephen Brahe, captain of Eslinburg [perhaps a relative of Tycho?]; Braid Ransome Maugaret; Nicholaus Theophilus, Doctor of Laws; Henry Goolister, captain of Bocastle; William Vanderwent; and some others. For this banquet, ‘maid in Thomas Aitchinsoune, master of the cunyie-house lugeing,’ it was ordered ‘that the thesaurer caus by and lay in foure punsheouns wyne; John Borthuik baxter to get four bunnis of beir, with foure gang of aill, and to furneis breid; Henry Charteris and Roger Macnacht to caus hing the hous with tapestrie, set the burdis, furmis, chandleris [candlesticks], and get flowris; George Carketill and Rychert Doby to provyde the cupbuirds and men to keep thame; and my Lord Provest was content to provyde naprie and twa dozen greit veschell, and to avance ane hunder pund or mair, as thai sall haif a do.’

In the latter days of the Mint as an active establishment, the coining-house was in the ground-floor of the building, on the north side of the court; in the adjoining house, on the east side, was the finishing-house, where the money was polished and fitted for circulation. The chief instruments used in coining were a hammer and steel dies, upon which the device was engraved. The metal, being previously prepared of the proper fineness and thickness, was cut into longitudinal slips, and a square piece being cut from the slip, it was afterwards rounded and adjusted to the weight of the money to be made. The blank pieces of metal were then placed between two dies, and the upper one was struck with a hammer. After the Restoration another method was introduced—that of the mill and screw, which, modified by many improvements, is still in use. At the Union, the ceremony of destroying the dies of the Scottish coinage took place in the Mint. After being heated red-hot in a furnace, they were defaced by three impressions of a broad-faced punch, which were of course visible on the dies as long as they existed; but it must be recorded that all these implements, which would now have been great curiosities, are lost, and none of the machinery remains but the press, which, weighing about half a ton, was rather too large to be readily appropriated, or perhaps it would have followed the rest.

The floors over the coining-house—bearing the letters, C. R. II., surmounting a crown, and the legend, GOD SAVE THE KING, 1674, originally the mansion of the master—were latterly occupied by the eminent Dr Cullen, whose family were all born here, and who died here himself in 1792.

ROBERT CULLEN.

Robert Cullen, the son of the physician, made a great impression on Edinburgh society by his many delightful social qualities, and particularly his powers as a mimic of the Mathews genus. He manifested this gift in his earliest years, to the no small discomposure of his grave old father. One evening, when Dr Cullen was going to the theatre, Robert entreated to be taken along with him, but for some reason was condemned to remain at home. Some time after the departure of the doctor, Mrs Cullen heard him come along the passage, as if from his own room, and say at her door: ‘Well, after all, you may let Robert go.’ Robert was accordingly allowed to depart for the theatre, where his appearance gave no small surprise to his father. On the old gentleman coming home and remonstrating with his lady for allowing the boy to go, it was discovered that the voice which seemed to give the permission had proceeded from the young wag himself.

In maturer years, Cullen could not only mimic any voice or mode of speech, but enter so thoroughly into the nature of any man that he could supply exactly the ideas which he was likely to use. His imitations were therefore something much above mimicries—they were artistic representations of human character. He has been known in a social company, where another individual was expected, to stand up, in the character of that person, and return thanks for the proposal of his health; and this was done so happily that when the individual did arrive and got upon his legs to speak for himself, the company was convulsed with an almost exact repetition of what Cullen had previously uttered, the manner also and every inflection of the voice being precisely alike. In relating anecdotes, of which he possessed a vast store, he usually prefaced them with a sketch of the character of the person referred to, which greatly increased the effect, as the story then told characteristically. These sketches were remarked to be extremely graphic and most elegantly expressed.

When a young man, residing with his father, he was very intimate with Dr Robertson, the Principal of the university. To show that Robertson was not likely to be easily imitated, it may be mentioned, from the report of a gentleman who has often heard him making public orations, that when the students observed him pause for a word, and would themselves mentally supply it, they invariably found that the word which he did use was different from that which they had hit upon. Cullen, however, could imitate him to the life, either in his more formal speeches or in his ordinary discourse. He would often, in entering a house which the Principal was in the habit of visiting, assume his voice in the lobby and stair, and when arrived at the drawing-room door, astonish the family by turning out to be—Bob Cullen. Lord Greville, a pupil of the Principal’s, having been one night detained at a protracted debauch, where Cullen was also present, the latter gentleman next morning got admission to the bedroom of the young nobleman, where, personating Dr Robertson, he sat down by the bedside, and with all the manner of the reverend Principal, gave him a sound lecture for having been out so late last night. Greville, who had fully expected this visit, lay in remorseful silence, and allowed his supposed monitor to depart without saying a word. In the course of a quarter of an hour, however, when the real Dr Robertson entered, and commenced a harangue exactly duplicating that just concluded, he could not help exclaiming that it was too bad to give it him twice over. ‘Oh, I see how it is,’ said Robertson, rising to depart; ‘that rogue Bob Cullen must have been with you.’ The Principal became at length accustomed to Bob’s tricks, which he would seem, from the following anecdote, to have regarded in a friendly spirit. Being attended during an illness by Dr Cullen, it was found necessary to administer a liberal dose of laudanum. The physician, however, asked him, in the first place, in what manner laudanum affected him. Having received his answer, Cullen remarked, with surprise, that he had never known any one affected in the same way by laudanum besides his son Bob. ‘Ah,’ said Robertson, ‘does the rascal take me off there too?