Were piled and fronted. Like an ark she seemed
To lie on mountain’s top, with shapes replete,
Clean and unclean——
To Jove the Dryads prayed, nor prayed in vain,
For vengeance on her sons. At midnight drear
Black showers descend, and teeming myriads rise
Of bugs abhorrent’——
The only authentic information to be obtained on the point is presented by Maitland, when he tells us that the clearing of the Boroughmoor of timber took place in consequence of a charter from James IV. in 1508. He says nothing of robbers, but attributes the permission granted by the magistrates for the making of wooden projections merely to their desire of getting sale for their timber. After all, I am inclined to trace this fashion to taste. The wooden fronts appear to have originated in open galleries—an arrangement often spoken of in early writings. These, being closed up or formed into a range of windows, would produce the wooden-fronted house. It is remarkable that the wooden fronts do not in many instances bear the appearance of afterthoughts, as the stone structure within often shows such an arrangement of the fore wall as seems designed to connect the projecting part with the chambers within, or to give these chambers as much as possible of the borrowed light. At the same time, it is somewhat puzzling to find, in the closes below the buildings, gateways with hooks for hinges seven feet or so from the present street-front—an arrangement which does not appear necessary on the supposition that the houses were built designedly with a stone interior and a wooden projection.
In the Netherbow the street receives a contraction from the advance of the houses on the north side, thus closing a species of parallelogram, of which the Luckenbooths formed the upper extremity—the market-place of our ancient city. The uppermost of the prominent houses—having of course two fronts meeting in a right angle, one fronting to the line of street, the other looking up the High Street—is pointed to by tradition as the residence or manse of John Knox during his incumbency as minister of Edinburgh, from 1560 till (with few interruptions) his death in 1572. It is a picturesque building of three above-ground floors, constructed of substantial ashlar masonry, but on a somewhat small scale, and terminating in curious gables and masses of chimneys. A narrow door, right in the angle, gives access to a small room, lighted by one long window presented to the westward, and apparently the hall of the mansion in former times. Over the window and door is this legend, in an unusually old kind of lettering:
LVFE·GOD·ABVFE·AL·AND·YI·NYCHTBOVR·[AS·]YI·SELF·