BAKEHOUSE CLOSE.
Back of ‘Speaking House.’
It was built in the year of the assassination of the Regent Moray, and one is somewhat surprised to think that, at so dark a crisis of our national history, a mansion of so costly a character should have taken its rise. The owner, whatever grade he held, seems to have felt an apprehension of the popular talk on the subject of his raising so elegant a mansion; and he took a curious mode of deprecating its expression. On a tablet over the ground-floor he inscribes: HODIE MIHI: CRAS TIBI. CUR IGITUR CURAS? along with the year of the erection, 1570. This is as much as to say: ‘I am the happy man to-day; your turn may come to-morrow. Why, then, should you repine?’ One can imagine from a second tablet, a little way farther along the front, that as the building proceeded, the storm of public remark and outcry had come to be more and more bitter, so that the soul of the owner got stirred up into a firm and defying anger. He exclaims (for, though a lettered inscription, one feels it as an exclamation): Ut Tu Linguæ tuæ, sic Ego Mear. aurium, Dominus sum (‘As thou of thy tongue, so I of my ears, am lord’); thus quoting, in his rage on this petty occasion, an expression said to have been used in the Roman senate by Titus Tacitus when repelling the charges of Lucius Metellus.[245] Afterwards he seems to have cooled into a religious view of the predicament, and in a third legend along the front he tells the world: Constanti pectori res mortalium umbra; ending a little farther on with an emblem of the Christian hope of the Resurrection, ears of wheat springing from a handful of bones. It is a great pity that we should not know who was the builder and owner of this house, since he has amused us so much with the history of his feelings during the process of its erection. A friend at my elbow suggests—a schoolmaster! But who ever heard of a schoolmaster so handsomely remunerated by his profession as to be able to build a house?
Nothing else is known of the early history of this house beyond the fact of the Canongate magistrates granting a charter for it to the Hammermen of that burgh, September 10, 1647.[246] It was, however, in 1753 occupied by a person of no less distinction than the Dowager Duchess of Gordon.[247]
In the alley passing under this mansion there is a goodly building of more modern structure, forming two sides of a quadrangle, with a small court in front divided from the lane by a wall in which there is a large gateway. Amidst filthiness indescribable, one discerns traces of former elegance: a crest over the doorway—namely, a cock mounted on a trumpet, with the motto ‘Vigilantibus,’ and the date 1633; over two upper windows, the letters ‘S. A. A.’ and ‘D. M. H.’ These memorials, with certain references in the charter before mentioned, leave no room for doubt that this was the house of Sir Archibald Acheson of Abercairny, Secretary of State for Scotland in the reign of Charles I., and ancestor to the Earl of Gosford in Ireland, who to this day bears the same crest and motto. The letters are the initials of Sir Archibald and his wife, Dame Margaret Hamilton. Here of course was the court of Scotland for a certain time, the Secretary of State being the grand dispenser of patronage in our country at that period—here, where nothing but the extremest wretchedness is now to be seen! That boastful bird, too, still seeming to assert the family dignity, two hundred years after it ceased to have any connection with the spot! Verily there are some moral preachments in these dark old closes if modern refinement could go to hear the sermon!
Acheson House.
Sir Archibald Acheson acquired extensive lands in Ireland,[248] which have ever since been in the possession of his family. It was a descendant of his, and of the same name, who had the gratification of becoming the landlord of Swift at Market-hill, and whom the dean was consequently led to celebrate in many of his poems. Swift seems to have been on the most familiar terms with this worthy knight and his lady; the latter he was accustomed to call Skinnibonia, Lean, or Snipe, as the humour inclined him. The inimitable comic painting of her ladyship’s maid Hannah, in the debate whether Hamilton’s Bawn should be turned into a malt-house or a barrack, can never perish from our literature. In like humour, the dean asserts the superiority of himself and his brother-tenant Colonel Leslie, who had served much in Spain, over the knight:
‘Proud baronet of Nova Scotia,