[258] A celebrated and much-esteemed fishing-rod maker, who afterwards flourished in the old wooden land at the head of Blackfriars Wynd. He survived to recent times, and was distinguished for his adherence to the cocked hat, wrist ruffles, and buckles of his youth. He was a short, neat man, very well bred, a great angler, intimate with the great, a Jacobite, and lived to near a century. He had fished in almost every trouting stream in the three kingdoms, and was seen skating on Lochend at the age of eighty-five.
[259] This seems to bear some reference to the seizure of young Macdonald of Kinlochmoidart at Lesmahagow in 1745.
[260] Introduction to Law’s Memorials, p. lxxx.
[261] See letters of Gay, Swift, Pope, and Arbuthnot, in Scott’s edition of Swift.
[262] In a letter from Gay to Swift, dated February 15, 1727-8, we find the subject illustrated as follows: ‘As to my favours from great men, I am in the same state you left me; but I am a great deal happier, as I have expectations. The Duchess of Queensberry has signalised her friendship to me upon this occasion [the bringing out of the Beggar’s Opera] in such a conspicuous manner, that I hope (for her sake) you will take care to put your fork to all its proper uses, and suffer nobody for the future to put their knives in their mouth.’
In the P.S. to a letter from Gay to Swift, dated Middleton Stoney, November 9, 1729, Gay says: ‘To the lady I live with I owe my life and fortune. Think of her with respect—value and esteem her as I do—and never more despise a fork with three prongs. I wish, too, you would not eat from the point of your knife. She has so much goodness, virtue, and generosity, that if you knew her, you would have a pleasure in obeying her as I do. She often wishes she had known you.’
[263] Record of that Society.
[264] The date over the exterior gateway of the Tailors’ Hall, towards the Cowgate, is 1644; but it is ascertained that the corporation had its hall at this place at an earlier period. An assembly of between two and three hundred clergymen was held here on Tuesday the 27th of February 1638 in order to consider the National Covenant, which was presented to the public next day in the Greyfriars Church. We are informed by the Earl of Rothes, in his Relations of the transactions of this period, in which he bore so distinguished a part, that some few objected to certain points in it; but being taken aside into the garden attached to this hall, and there lectured on the necessity of mutual concession for the sake of the general cause, they were soon brought to give their entire assent.
[265] The announcements of entertainments given at this fashionable place of amusement in the eighteenth century make amusing reading to-day. ‘February 17, 1743. We hear that on Monday 21st instant, at the Tailors’ Hall, Cowgate, at the desire of several ladies of distinction, will be performed a concert of vocal and instrumental music. After which will be given gratis Richard the Third, containing several historical passages. To which will be added gratis “The Mock Lawyer.” Tickets for the Concert (on which are [sic] printed a new device called Apology and Evasion) to be had at the Exchange and John’s Coffee-houses, and at Mr Este’s lodgings at Mr Monro’s, musician in the Cowgate, near Tailors’ Hall. As Mrs Este’s present condition will not admit a personal application, she hopes the ladies notwithstanding will grace her concert.’
[266] Among the audience on the first night of the performance of Douglas were the two daughters of John and Lady Susan Renton, one of whom, Eleanor, was the mother of Charles Kirkpatrick Sharpe, to whom the author in his ‘Introductory Notice’ expresses his indebtedness for assistance on the first appearance of this work. And it was for attending one of the performances that the minister of Liberton Church brought himself under sentence of six weeks’ suspension by the Presbytery of Edinburgh—a sentence modified in consideration of his plea that though he attended the play, ‘he concealed himself as well as he could to avoid giving offence.’