‘O thou of genius slow,
Weak by nature;
A rich fellow,
But a poor creature.’
The Watergate.
The Spendthrift Club took its name from the extravagance of the members in spending no less a sum than fourpence halfpenny each night! It consisted of respectable citizens of the middle class, and continued in 1824 to exist in a modified state. Its meetings, originally nightly, were then reduced to four a week. The men used to play at whist for a halfpenny—one, two, three—no rubbers; but latterly they had, with their characteristic extravagance, doubled the stake! Supper originally cost no less than twopence; and half a bottle of strong ale, with a dram, stood every member twopence halfpenny; to all which sumptuous profusion might be added still another halfpenny, which was given to the maid-servant—in all, fivepence! Latterly the dram had been disused; but such had been the general increase, either in the cost or the quantity of the indulgences, that the usual nightly expense was ultimately from a shilling to one and fourpence. The winnings at whist were always thrown into the reckoning. A large two-quart bottle or tappit-hen was introduced by the landlady, with a small measure, out of which the company helped themselves; and the members made up their own bill with chalk upon the table. In 1824, in the recollection of the senior members, some of whom were of fifty years’ standing, the house was kept by the widow of a Lieutenant Hamilton of the army, who recollected having attended the theatre in the Tennis Court at Holyroodhouse, when the play was the Spanish Friar, and when many of the members of the Union Parliament were present in the house.
Tappit-hen.
The Boar Club was an association of a different sort, consisting chiefly of wild, fashionable young men; and the place of meeting was not in any of the snug profundities of the Old Town, but in a modern tavern in Shakspeare Square, kept by one Daniel Hogg. The joke of this club consisted in the supposition that all the members were boars, that their room was a sty, that their talk was grunting, and in the double-entendre of the small piece of stone-ware which served as a repository of all the fines being a pig. Upon this they lived twenty years. I have, at some expense of eyesight and with no small exertion of patience, perused the soiled and blotted records of the club, which in 1824 were preserved by an old vintner, whose house was their last place of meeting; and the result has been the following memorabilia. The Boar Club commenced its meetings in 1787, and the original members were J. G. C. Schetky, a German musician; David Shaw; Archibald Crawfuird; Patrick Robertson; Robert Aldridge, a famed pantomimist and dancing-master; James Neilson; and Luke Cross. Some of these were remarkable men, in particular Mr Schetky. He had come to Edinburgh about the beginning of the reign of George III. He used to tell that on alighting at Ramsay’s inn, opposite the Cowgate Port, his first impression of the city was so unfavourable that he was on the point of leaving it again without further acquaintance, and was only prevented from doing so by the solicitations of his fellow-traveller, who was not so much alarmed at the dingy and squalid appearance of this part of Auld Reekie.[136] He was first employed at St Cecilia’s Hall, where the concerts were attended by all the ‘rank, beauty, and fashion’ of which Edinburgh could then boast, and where, besides the professional performers, many amateurs of great musical skill and enthusiasm, such as Mr Tytler of Woodhouselee,[137] were pleased to exhibit themselves for the entertainment of their friends, who alone were admitted by tickets. Mr Schetky composed the march of a body of volunteers called the Edinburgh Defensive Band, which was raised out of the citizens of Edinburgh at the time of the American war, and was commanded by the eminent advocate Crosbie. One of the verses to which the march was set may be given as an admirable specimen of militia poetry: