"I am sorry I did not notice you sooner. Why did you not come on when you saw us?" the smallest and slimmest youth called to me.
"In the name of—Miss—Miss—" I stammered.
"Brande; you haven't forgotten my name, I hope," Natalie Brande said coolly. "This is my friend, Edith Metford. Metford, this is Arthur Marcel."
"How do you do, Marcel? I am glad to meet you; I have heard 'favourable mention' of you from the Brandes," the second figure in knickerbockers said pleasantly.
"How do you do, sir—madam—I mean—Miss—" I blundered, and then in despair I asked Miss Brande, "Is this a tableau vivant? What is the meaning of these disguises?" My embarrassment was so great that my discourteous question may be pardoned.
"Our dress! Surely you have seen women rationally dressed before!" Miss Brande answered complacently, while the other girl watched my astonishment with evident amusement.
This second girl, Edith Metford, was a frank, handsome young woman, but unlike the spirituelle beauty of Natalie Brande. She was perceptibly taller than her friend, and of fuller figure. In consequence, she looked, in my opinion, to even less advantage in her eccentric costume, or rational dress, than did Miss Brande.
"Rationally dressed! Oh, yes. I know the divided skirt, but—"
Miss Metford interrupted me. "Do you call the divided skirt atrocity rational dress?" she asked pointedly.
"Upon my honour I do not," I answered.