Hand in hand they went back to the house, the light of eager purpose upon both their faces. As they entered, a familiar voice fell on Harvey's ear.

"We was jest a-goin' by,"—it was David Borland's staccato—"an' I thought I'd drop in an' see if you was all safe home. Don't take off your things, Madeline; we're not a-visitin'," he said to the girl beside him. For she was bidding fair to settle for a protracted stay.

"Yes, we're safe home, thank you," answered Mrs. Simmons, "and it's lovely to get back. I'm a poor traveller."

"'Tain't safe to travel much these days," rejoined Mr. Borland after he had greeted Harvey; whose face, as well as a fugitive word or two, hushed any queries that were on David's lips—"so many accidents, I always feel skeery on the trains—must be hard to run Divine predestination on schedule, since they got them heavy engines on the light rails. I often think the undertakers is part of the railroad trust," he concluded, smiling sententiously into all the faces at once.

Some further conversation ensued, prompted in a general way by the excursion to the city, and dealing finally with the question of eminent city doctors and their merits.

"I only went onct to a big city man like that," David said reminiscently, "and it was about my eyes, too. You see, I rammed my shaving-brush into one, one evenin' when I was shavin' in the dusk. Well, I was awful skeery about what he'd charge—didn't have much of the almighty needful in them days. An' I heard he charged the Governor-General's missus five thousand dollars, a week or two before, for takin' a speck o' dust out of her eye—castin' out the mote, as the Scriptur says; I'd leave a sand-pit stay there before I'd shell out like that. Well, anyhow, I was skeered, 'cause I knew me an' the nobility had the same kind of eyes. So I didn't dress very good—wore some old togs. An' after he got through—just about four minutes an' a half—I asked him what was the damage. Says he: 'What do you do, Mr. Borland?' 'I work in a foundry,' says I. 'Oh, well,' says he, 'call it five dollars.' So I yanked out a roll o' bills about the size of a hind quarter o' beef, an' I burrows till I gets a five—then I gives it to him. 'How do you come to have a wad like that, Mr. Borland,' says he, 'if you work in a foundry?' 'I own the foundry,' says I, restorin' the wad to where most Scotchmen carries their flask. 'Oh!' says he, lookin' hard at the little fiver. 'Oh, I'll give you another toadskin,' says I, 'jest to show there's no hard feelin'.' 'Keep it,' says he—an' he was laughin' like a guinea hen, 'keep it, an' buy a marble monument for yourself, and put at the bottom of it what a smart man you was,'" and David slapped his knee afresh in gleeful triumph. For the others, too, there was laughter and to spare; which very purpose David had designed his autobiography to accomplish. A moment later Madeline and her father were at the door, the little circle, laughing still, around him as they stepped without.

"You're a terrible one for shakin' hands, girl," David said to his daughter as they stood a moment on the step. "That's a habit I never got much into me." For Madeline's farewell had had much of meaning in it, the sweet face suffused with sympathy as she shook hands with all—the mother first, then Jessie, then Harvey—and the low voice had dropped a word or two that told the depth and sincerity of her feeling. When she said good-bye to Harvey, the pressure of her hand, light and fluttering as it was, found a response so warm and clinging that a quick flush overflowed her face, before which the other's fell, so striking was its beauty, so full of deep significance the message of the strong and soulful eyes. Her father's child was she, and the fascination of sorrow had early touched her heart.

The door was almost closed when David turned to call back lustily:

"Oh, Harvey—Harvey, Mr. Nickle wants to see you; Geordie Nickle, you know; an' if you come round to my office to-morrow about half-past four, I think you'll find him there. He's got a great scheme on; he's the whitest man I ever run acrost, I think—for a Scotchman."

XIV