Analogous facts may be cited closer to us, easier to verify. Those who enjoy robust health often laugh at invalids: their imagination does not comprehend physical suffering, they are incapable of sympathizing with those who experience it. Likewise those who possess calm and even dispositions cannot witness without laughing an excess of mad anger or of impotent rage. In general we do not take seriously those feelings to which we ourselves are strangers; we consider them extravagant and amusing. "How can one be a Persian?" To laugh is to detach one's self from others, to separate one's self and to take pleasure in this separation, to amuse one's self by contrasting the feelings, character, and temperament of others and one's own feelings, character, and temperament. Insensibility has been justly noted by M. Bergson as an essential characteristic of him who laughs. But this insensibility, this heartlessness, gives very much the effect of a positive and real ill nature, and M. Bergson had thus simply repeated and expressed in a new way, more precise and correct, the opinion of Aristotle: the cause of laughter is malice mitigated by insensibility or the absence of sympathy.
Thus defined, malice is after all essentially relative, and when one says that the object of our laughter is the misfortune of someone else, known by us to be endurable and slight, it must be understood that this misfortune may be in itself very serious as well as undeserved, and in this way laughter is often really cruel.
The coarser men are, the more destitute they are of sympathetic imagination, and the more they laugh at one another with an offensive and brutal laugh. There are those who are not even touched by contact with physical suffering; such ones have the heart to laugh at the shufflings of a bandy-legged man, at the ugliness of a hunchback, or the repulsive hideousness of an idiot. Others there are who are moved by physical suffering but who are not at all affected by moral suffering. These laugh at a self-love touched to the quick, at a wounded pride, at the tortured self-consciousness of one abashed or humiliated. These are, in their eyes, harmless, and slight pricks which they themselves, by a coarseness of nature, or a fine moral health, would endure perhaps with equanimity, which at any rate they do not feel in behalf of others, with whom they do not suffer in sympathy.
Castigat ridendo mores. According to M. A. Michiels, the author of a book upon the World of Humor and of Laughter, this maxim must be understood in its broadest sense. "Everything that is contrary to the absolute ideal of human perfection," in whatever order it be, whether physical, intellectual, moral, or social, arouses laughter. The fear of ridicule is the most dominant of our feelings, that which controls us in most things and with the most strength. Because of this fear one does "what one would not do for the sake of justice, scrupulousness, honor, or good will;" one submits to an infinite number of obligations which morality would not dare to prescribe and which are not included in the laws. "Conscience and the written laws," says A. Michiels, "form two lines of ramparts against evil, the ludicrous is the third line of defense, it stops, brands, and condemns the little misdeeds which the guards have allowed to pass."
Laughter is thus the great censor of vices, it spares none, it does not even grant indulgence to the slightest imperfections, of whatever nature they be. This mission, which M. Michiels attributes to laughter, granting that it is fulfilled, instead of taking its place in the natural or providential order of things, does it not answer simply to those demands, whether well founded or not, which society makes upon each of us? M. Bergson admits this, justly enough, it appears, when he defines laughter as a social bromide. But then it is no longer mere imperfection in general, it is not even immorality, properly speaking; it is merely unsociability, well or badly understood, which laughter corrects. More precisely, it is a special unsociability, one which escapes all other penalties, which it is the function of laughter to reach. What can this unsociability be? It is the self-love of each one of us in so far as it has anything disagreeable to others in it, an abstraction of every injurious or hateful element. It is the harmless self-love, slight, powerless, which one does not fear but one scorns, yet for all that does not pardon but on the contrary pitilessly pursues, wounds, and galls. Self-love thus defined is vanity, and what is called the moral correction administered by laughter is the wound to self-love. "The specific remedy for vanity," says M. Bergson, "is laughter, and the essentially ridiculous is vanity."
One sees in what sense laughter is a "correction." Whether one considers the jests uttered, the feelings of the jester, or of him at whom one jests, laughter appears from the point of view of morality as a correction most often undeserved, unjust—or at least disproportionate to the fault—pitiless, and cruel.
In fact, the self-love at which one laughs is, as we have said, harmless. Besides it is often a natural failing, a weakness, not a vice. Even if it were a vice, the jester would not be justified in laughing at it, for it does not appear that he himself is exempt. On the contrary, his vanity is magnified when that of others is upon the rack. Finally the humiliation caused by laughter is not a chastisement which one accepts but a torture to which one submits; it is a feeling of resentment, of bitterness, not a wholesome sense of shame, nor one from which anyone is likely to profit. Laughter may then have a social use; but it is not an act of justice. It is a quick and summary police measure which will not stand too close a scrutiny but which it would be imprudent either to condemn or to approve without reserve. Society is established and organized according to natural laws which seem to be modeled on those of reason, but self-loves discipline themselves, they enter into conflict and hold each other in check.
C. LANGUAGE AND THE COMMUNICATION OF IDEAS
1. Intercommunication in the Lower Animals[142]
The foundations of intercommunication, like those of imitation, are laid in certain instinctive modes of response, which are stimulated by the acts of other animals of the same social group.