37. What is the significance of imitation for artistic appreciation?
38. What do you understand by the term "appreciation"? Distinguish between "appreciation" and "comprehension." (Compare Hirn's distinction with that made by Simmel.)
39. Upon what is the nature of suggestion based? How do you define suggestion?
40. What do you understand by Bechterew's distinction between active perception and passive perception?
41. Why can we speak of suggestion as a mental automatism?
42. How real is the analogy of suggestion to an infection or an inoculation?
43. What do you understand by the distinction between personal consciousness and general consciousness?
44. What is the significance of attention in determining the character of suggestion?
45. What is the relation of rapport to suggestion?
46. How would you distinguish suggestion from other forms of stimulus and response?