Introduction to the Science of Sociology

by Robert Ezra Park; E. W. Burgess

One of the effects of the mobilization of the Negro has been to bring him into closer and more intimate contact with his own people. Common interests have drawn the blacks together, and caste sentiment has kept the black and white apart. The segregation of the races, which began as a spontaneous movement on the part of both, has been fostered by the policy of the dominant race. The agitation of the Reconstruction period made the division between the races in politics absolute. Segregation and separation in other matters have gone on steadily ever since. The Negro at the present time has separate churches, schools, libraries, hospitals, Y.M.C.A. associations, and even separate towns. There are, perhaps, a half-dozen communities in the United States, every inhabitant of which is a Negro. Most of these so-called Negro towns are suburban villages; two of them, at any rate, are the centers of a considerable Negro farming population. In general it may be said that where the Negro schools, churches, and Y.M.C.A. associations are not separate they do not exist.

It is hard to estimate the ultimate effect of this isolation of the black man. One of the most important effects has been to establish a common interest among all the different colors and classes of the race. This sense of solidarity has grown up gradually with the organization of the Negro people. It is stronger in the South, where segregation is more complete, than it is in the North where, twenty years ago, it would have been safe to say it did not exist. Gradually, imperceptibly, within the larger world of the white man, a smaller world, the world of the black man, is silently taking form and shape.

Every advance in education and intelligence puts the Negro in possession of the technique of communication and organization of the white man, and so contributes to the extension and consolidation of the Negro world within the white.

The motive for this increasing solidarity is furnished by the increasing pressure, or perhaps I should say by the increasing sensibility of Negroes to the pressure and the prejudice without. The sentiment of racial loyalty, which is a comparatively recent manifestation of the growing self-consciousness of the race, must be regarded as a response and "accommodation" to changing internal and external relations of the race. The sentiment which Negroes are beginning to call "race pride" does not exist to the same extent in the North as in the South, but an increasing disposition to enforce racial distinctions in the North, as in the South, is bringing it into existence.

One or two incidents in this connection are significant. A few years ago a man who is the head of the largest Negro publishing business in this country sent to Germany and had a number of Negro dolls manufactured according to specifications of his own. At the time this company was started, Negro children were in the habit of playing with white dolls. There were already Negro dolls on the market, but they were for white children and represented the white man's conception of the Negro and not the Negro's ideal of himself. The new Negro doll was a mulatto with regular features slightly modified in favor of the conventional Negro type. It was a neat, prim, well-dressed, well-behaved, self-respecting doll. Later on, as I understand, there were other dolls, equally tidy and respectable in appearance, but in darker shades, with Negro features a little more pronounced. The man who designed these dolls was perfectly clear in regard to the significance of the substitution that he was making. He said that he thought it was a good thing to let Negro girls become accustomed to dolls of their own color. He thought it important, as long as the races were to be segregated, that the dolls, which, like other forms of art, are patterns and represent ideals, should be segregated also.

This substitution of the Negro model for the white is a very interesting and a very significant fact. It means that the Negro has begun to fashion his own ideals and in his own image rather than in that of the white man. It is also interesting to know that the Negro doll company has been a success and that these dolls are now widely sold in every part of the United States. Nothing exhibits more clearly the extent to which the Negro had become assimilated in slavery or the extent to which he has broken with the past in recent years than this episode of the Negro doll.

The incident is typical. It is an indication of the nature of tendencies and of forces that are stirring in the background of the Negro's mind, although they have not succeeded in forcing themselves, except in special instances, into clear consciousness.

In this same category must be reckoned the poetry of Paul Lawrence Dunbar, in whom, as William Dean Howells has said, the Negro "attained civilization." Before Paul Lawrence Dunbar, Negro literature had been either apologetic or self-assertive, but Dunbar "studied the Negro objectively." He represented him as he found him, not only without apology, but with an affectionate understanding and sympathy which one can have only for what is one's own. In Dunbar, Negro literature attained an ethnocentric point of view. Through the medium of his verses the ordinary shapes and forms of the Negro's life have taken on the color of his affections and sentiments, and we see the black man, not as he looks, but as he feels and is.

It is a significant fact that a certain number of educated—or rather the so-called educated—Negroes were not at first disposed to accept at their full value either Dunbar's dialect verse or the familiar pictures of Negro life which are the symbols in which his poetry usually found expression. The explanation sometimes offered for the dialect poems was that "they were made to please white folk." The assumption seems to have been that if they had been written for Negroes it would have been impossible in his poetry to distinguish black people from white. This was a sentiment which was never shared by the masses of the people, who, upon the occasions when Dunbar recited to them, were fairly bowled over with amusement and delight because of the authenticity of the portraits he offered them. At the present time Dunbar is so far accepted as to have hundreds of imitators.

Literature and art have played a similar and perhaps more important rôle in the racial struggles of Europe than of America. One reason seems to be that racial conflicts, as they occur in secondary groups, are primarily sentimental and secondarily economic. Literature and art, when they are employed to give expression to racial sentiment and form to racial ideals, serve, along with other agencies, to mobilize the group and put the masses en rapport with their leaders and with each other. In such cases art and literature are like silent drummers which summon into action the latent instincts and energies of the race.