The complete transformation of feelings is not the least curious phenomenon of these objectivations. A—— is timid, but she becomes very daring when she thinks herself a bold person. B—— is silent, she becomes talkative when she represents a talkative person. The disposition is thus completely changed. Old tastes disappear and give place to the new tastes that the new character represented is supposed to have.
In a more recent paper, prepared with the co-operation of M. Ferrari and M. Hericourt, M. Richet has added a curious detail to the preceding experiments. He has shown that the subject on whom a change of personality is imposed not only adapts his speech, gestures, and attitudes to the new personality, but that even his handwriting is modified and brought into relation with the new ideas that absorb his consciousness. This modification of handwriting is an especially interesting discovery, since handwriting, according to current theories, is nothing more than a sort of imitation. I cite some examples borrowed from these authors.
It is suggested in succession to a young student that he is a sly and crafty peasant, then a miser, and finally a very old man. While the subject's features and behavior generally are modified and brought into harmony with the idea of the personality suggested, we may observe also that his handwriting undergoes similar modifications which are not less marked. It has a special character peculiar to each of the new states of personality. In short, the graphic movements change like the gestures generally.
In a note on the handwriting of hysterical patients, I have shown that under the influence of suggested emotions, or under the influence of sensorial stimulations, the handwriting of a hysterical patient may be modified. It gets larger, for example, in cases of dynamogenic excitation.
The characteristic of the suggestion that we have just studied is that it does not bear exclusively on perception or movement—that is to say, on a limited psychic element; but there are comprehensive suggestions. They impose a topic on the subject that he is obliged to develop with all the resources of his intellect and imagination, and if the observations be carefully examined, it will also be seen that in these suggestions the faculties of perception are affected and perverted by the same standard as that of ideation. Thus the subject, under the influence of his assumed personality, ceases to perceive the external world as it exists. He has hallucinations in connection with his new psychological personality. When a bishop, he thinks he is in Notre Dame, and sees a host of the faithful. When a general, he thinks he is surrounded by troops, etc. Things that harmonize with the suggestion are conjured up. This systematic development of states of consciousness belongs to all kinds of suggestions, but is perhaps nowhere else so marked as in these transformations of personality.
On the other hand, everything that is inconsistent with the suggestion gets inhibited and leaves the subject's consciousness. As has been said, alterations of personality imply phenomena of amnesia. In order that the subject may assume the fictitious personality he must begin by forgetting his true personality. The infinite number of memories that represent his past experience and constitute the basis of his normal ego are for the time being effaced, because these memories are inconsistent with the ideal of the suggestion.
4. The Natural Person versus the Social and Conventional Self[72]
Somewhat after the order of Dr. Jekyll and Mr. Hyde I seem to possess two distinct personalities, being both at the same time but presenting no such striking contrast as the Jekyll-Hyde combination. They are about equally virtuous. Their main difference seems to be one of age, one being a decade or so in advance of the other.
At times they work harmoniously together and again at cross-purposes. I do not seem to have developed equally. Part of me sits humbly at the feet of the other part of me and receives advice and instruction. Part of me feels constrained to confess to the other part of me when it has done wrong and meekly receives rebuke. Part of me tries to shock the other part of me and to force the more dignified part to misbehave and giggle and do things not considered correct in polite society.
My younger part delights to tease the older, to doubt her motives, to interrupt her meditations. It wants to play, while my older self is more seriously inclined. My younger self is only twelve years old. This is my real self. To my own mind I am still a little girl with short dresses and a bunch of curls. For some reason my idea of self has never advanced beyond this point. The long dress and the hair piled high will never seem natural. Sometimes I enjoy this duality and again I do not. Sometimes the two parts mingle delightfully together, again they wrangle atrociously, while I (there seems to be a third part of me) sit off and watch the outcome.