| Katie Beardie had a coo, Black and white about the mou'; Wasna that a dentie coo? Dance, Katie Beardie! Katie Beardie had a hen, Cackled but an' cackled ben; Wasna that a dentie hen? Dance, Katie Beardie! Katie Beardie had a cock That could spin a gude tow rock; Wasna that a dentie cock? Dance, Katie Beardie! Katie Beardie had a grice, It could skate upon the ice; Wasna that a dentie grice? Dance, Katie Beardie! Katie Beardie had a wean, That was a' her lovin' ain; Wasna that a dentie wean? Dance, Katie Beardie! |
Yet, there is tolerable proof extant that the above dates from at least the beginning of the seventeenth century. "Katherine Beardie," anyway, is the name affixed to an air in a manuscript musical collection which belonged to the Scottish poet, Sir William Mure, of Rowallan, written, presumably, between the years 1612 and 1628. The same tune, under the name of "Kette Bairdie," also appears in a similar collection which belonged to Sir John Skene of Hallyards, supposed to have been written about 1629. Further, so well did Sir Walter Scott know that this was a popular dance during the reign of King James VI., as Mr. Dawney points out, that he introduces it in the Fortunes of Nigel, with this difference, that it is there called "Chrichty Bairdie," a name not precisely identical with that here given; but as Kit is a diminutive of Christopher, it is not difficult to perceive how the two came to be confounded. Old as it certainly is—and older by a deal it may be than these presents indicate—it maintains yet the charm of youth—delighting all with its lightly tripping numbers. No less does—
THE MILLER'S DOCHTER.
| There was a miller's dochter, She wadna want a baby, O; She took her father's grey hound An' row'd it in a plaidie, O. Singing, Hush-a-ba! hush-a-ba! Hush-a-ba, my baby, O! An 'twere na for you lang beard, I wad kiss your gabbie, O! |
While bedding operations have been in progress no song, surely, has been more welcome and effective than
HAP AND ROW.
In about equal favour stands