"Thanks, my good friend," said I, "but as my labours in the 'central flowery land' are ended, I shall now return again to my own country, 'Ta-Eng-co[3],' a land in the far distant west, and you shall never see me again; fare you well."
He then kindly wished me fair winds, smooth seas, and a happy meeting with my friends at home.
I merely mention this circumstance to show what a change took place in the feelings of these poor people in the course of two years, and which I regard as an earnest of what may be done with the northern Chinese, who differ widely from their haughty and insolent countrymen in the south.
Another example may be given to show the cunning and deceit of many of the Chinese here as elsewhere. A flower painter in Chusan had informed me that several very valuable varieties of the Moutan, or Tree Pœony, were to be found in gardens near Shanghae. Those varieties of this flower, which are yearly brought from the northern provinces to Canton, and which are now common in Europe, have blossoms, which are either rose-coloured or white: but it was always asserted, although not believed, that in some part of China purple, blue, and yellow varieties were produced, although these were never brought to Canton for sale. It was for these that I made the most particular inquiries, and this painter not only affirmed he had seen them, but also offered, for a small sum, to make me drawings from memory of all the different kinds. I employed him at once, and when he had finished the drawings, I took them with me to Shanghae. A nurseryman, who had a flower-shop in the town, to whom I showed these drawings, promised at once to procure living plants for me, but said they would be very expensive, as he would have to send to Soo-chow, a distance of nearly one hundred miles, for they were not to be procured in the vicinity of Shanghae, and a man would be absent at least eight days. I was, of course, glad to get them upon any terms, and gave the man the price he asked, which, after all, was not much out of the way, if they were to be brought a hundred miles. At the specified time the Moutans arrived, and proved most valuable kinds, which, in England, would have brought a very high sum. Amongst them there were lilacs and purples; some nearly black; and one which the Chinese called "the yellow," which, however, was only white with a slight tinge of yellow near the centre of the petals. Altogether the collection was a valuable one, and I was highly satisfied with my bargain. Great was my surprise when I afterwards found that these plants were brought a distance not more than six miles from the walls of Shanghae, and that the celebrated town of Soo-chow was, in fact, supplied with "Moutans" from the very same place.
It was the winter season when I paid my first visit to Shanghae, and of course few plants were then in bloom except the Chrysanthemum, the varieties of which are as numerous here as in the south of China; and as the Chinese gardeners understand their cultivation well, they were, at this particular season, objects of great interest. My collections were chiefly deciduous plants, which it was impossible to determine or describe at the time, being chosen partly on account of the families they belonged to, and partly from the characters given them by the Chinese. Every one acquainted with practical Botany can form a very fair idea of the value of plants even in this condition, and I was not disappointed in the expectations I had formed regarding this collection, many of the specimens afterwards proving plants of great beauty and value.
Whilst at Shanghae, I, with some other Europeans, had an invitation to go to the house of a mandarin, to see a theatrical performance or "Sing-song," and to dine with him in Chinese style afterwards. Sedan chairs were sent to take us to his house, where we were introduced to a number of his friends, and, as the invariable custom is, tea was immediately handed round. Shortly afterwards a servant came with a tray full of wet, warm towels, not unlike those generally used in kitchens at home, and presented one to each of us. At first, we could not conjecture what these were for; but, on looking at our Chinese friends, we observed them rubbing their faces and hands with them, and, although not very agreeable to us, we immediately did the same. I afterwards found that this was a common custom amongst the Chinese, and I have often been much refreshed by it after a warm walk. In hot countries like China this plan is much better, and more conducive to health, than either washing or bathing in cold water.
While this was going on in the house, the players were getting every thing ready in the large room where the performance was to take place. In a little while one of them entered the room where we were, carrying in his hand several fine long ivory cards, on which were written a number of the most popular plays of the day, any one of which the players were ready to perform at the command of our host and his friends. We were most politely consulted on the subject, which, as we did not know a single character of the language, and had the greatest difficulty in understanding what was said to us, was not of much use. Having at last fixed upon a particular piece for the evening's entertainment, we were all led into the theatre. The room was large and nearly square, having a platform at the upper end for the actors and band, and one of the sides being only separated from an open lane by a railing, so that the public might also have a view of the play. The centre of the room was completely filled with guests, and from the roof hung a number of lanterns in the Chinese style. As it was early in the afternoon when the play commenced, the lanterns were not lighted and the piece went on in daylight, the Chinese actors not excluding it as we do in our theatres in England.
The play began with some pantomime-like feats, such as we see in English theatres at Christmas. This was succeeded by something which appeared to be very pathetic, judging from the language and gestures of the performers. All was gone through in a kind of opera style, the actors singing their parts with false voices. The feats of tumbling which were now and then performed were extremely dexterous and clever, and attracted our notice more than any thing else, probably because they were best understood.
The dresses of the actors were superb, and must have cost a large sum of money. There were no females amongst them, as it is not customary for them to act; but their places were supplied by men or boys, chosen from amongst those who are most "lady-looking," and so well were their appearance and dresses arranged, that it would have required a practised eye to have detected the difference.
The voices of the actors were not musical, at least to English ears, but the whole was in unison with the noisy gong, and the wind instruments, like bagpipes, which are in common use amongst the Chinese. In fact, noise seemed to be the thing which produced the greatest effect, and we certainly had enough of it.