And here is the description of the perfect woman:
"To feed for aye her lamp and flames of love;
To keep her constancy in plight and youth—
Outliving beauty's outward with a mind
That doth renew swifter than blood decays."
Shakespeare done more for woman than all the other dramatists of the world.
For my part. I love the Clowns. I love Launce and his dog Crabb, and Gobbo, whose conscience threw its arms around the neck of his heart, and Touchstone, with his lie seven times removed; and dear old Dogberry—a pretty piece of flesh, tedious as a king. And Bottom, the very paramour for a sweet voice, longing to take the part to tear a cat in; and Autolycus, the snapper-up of unconsidered trifles, sleeping out the thought for the life to come. And great Sir John, without conscience, and for that reason unblamed and enjoyed—and who at the end babbles of green fields, and is almost loved. And ancient Pistol, the world his oyster. And Bardolph, with the flea on his blazing nose, putting beholders in mind of a damned soul in hell. And the poor Fool, who followed the mad king, and went "to bed at noon." And the clown who carried the worm of Nilus, whose "biting was immortal." And Corin, the shepherd—who described the perfect man: "I am a true laborer: I earn that I eat—get that I wear—owe no man aught—envy no man's happiness—glad of other men's good—content."
And mingling in this motley throng, Lear, within whose brain a tempest raged until the depths were stirred, and the intellectual wealth of a life was given back to memory—and then by madness thrown to storm and night—and when I read the living lines I feel as though I looked upon the sea and saw it wrought by frenzied whirlwinds, until the buried treasures and the sunken wrecks of all the years were cast upon the shores.
And Othello—who like the base Indian threw a pearl away richer than all his tribe.
And Hamlet—thought-entangted—hesitating between two worlds.
And Macbeth—strange mingling of cruelty and conscience, reaping the sure harvest of successful crime—"Curses not loud but deep—mouth-honor,—breath."
And Brutus, falling on his sword that Cæsar might be still.
And Romeo, dreaming of the white wonder of Juliet's hand. And Ferdinand, the patient log-man for Miranda's sake. And Florizel, who, "for all the sun sees, or the close earth wombs, or the profound seas hide," would not be faithless to the low-born lass. And Constance, weeping for her son, while grief "stuffs out his vacant garments with his form."