This one fact justifies the existence and the perpetuation of the human race. Again I say that women are better than men; their hearts are more unreservedly given; in the web of their lives sorrow is inextricably woven with the greatest joys; self-sacrifice is a part of their nature, and at the behest of love and maternity they walk willingly and joyously down to the very gates of death.
Is there nothing in this to excite the admiration, the adoration, of a modern reformer? Are the monk and nun superior to the father and mother?
The author of "The Kreutzer Sonata" is unconsciously the enemy of mankind. He is filled with what might be called a merciless pity, a sympathy almost malicious. Had he lived a few centuries ago, he might have founded a religion; but the most he can now do is, perhaps, to create the necessity for another asylum.
Count Tolstoi objects to music—not the ordinary kind, but to great music, the music that arouses the emotions, that apparently carries us beyond the limitations of life, that for the moment seems to break the great chain of cause and effect, and leaves the soul soaring and free. "Emotion and duty," he declares, "do not go hand in hand." All art touches and arouses the emotional nature. The painter, the poet, the sculptor, the composer, the orator, appeal to the emotions, to the passions, to the hopes and fears. The commonplace is transfigured; the cold and angular facts of existence take form and color; the blood quickens; the fancies spread their wings; the intellect grows sympathetic; the river of life flows full and free; and man becomes capable of the noblest deeds. Take emotion from the heart of man and the idea of obligation would be lost; right and wrong would lose their meaning, and the word "ought" would never again be spoken. We are subject to conditions, liable to disease, pain, and death. We are capable of ecstasy. Of these conditions, of these possibilities, the emotions are born.
Only the conditionless can be the emotionless.
We are conditioned beings; and if the conditions are changed, the result may be pain or death or greater joy. We can only live within certain degrees of heat. If the weather were a few degrees hotter or a few degrees colder, we could not exist. We need food and roof and raiment. Life and happiness depend on these conditions. We do not certainly know what is to happen, and consequently our hopes and fears are constantly active—that is to say, we are emotional beings. The generalization of Tolstoï, that emotion never goes hand in hand with duty, is almost the opposite of the truth. The idea of duty could not exist without emotion. Think of men and women without love, without desires, without passions? Think of a world without art or music—a world without beauty, without emotion.
And yet there are many writers busy pointing out the loathsomeness of love and their own virtues. Only a little while ago an article appeared in one of the magazines in which all women who did not dress according to the provincial prudery of the writer were denounced as impure. Millions of refined and virtuous wives and mothers were described as dripping with pollution because they enjoyed dancing and were so well formed that they were not obliged to cover their arms and throats to avoid the pity of their associates. And yet the article itself is far more indelicate than any dance or any dress, or even lack of dress. What a curious opinion dried apples have of fruit upon the tree!
Count Tolstoï is also the enemy of wealth, of luxury. In this he follows the New Testament. "It is easier for a camel to go through the eye of a needle than for a rich man to enter the Kingdom of Heaven." He gathers his inspiration from the commandment, "Sell all that thou hast and give to the poor."
Wealth is not a crime any more than health or bodily or intellectual strength. The weak might denounce the strong, the sickly might envy the healthy, just as the poor may denounce or envy the rich. A man is not necessarily a criminal because he is wealthy. He is to be judged, not by his wealth, but by the way he uses his wealth. The strong man can use his strength, not only for the benefit of himself, but for the good of others. So a man of intelligence can be a benefactor of the human race. Intelligence is often used to entrap the simple and to prey upon the unthinking, but we do not wish to do away with intelligence. So strength is often used to tyrannize over the weak, and in the same way wealth may be used to the injury of mankind. To sell all that you have and give to the poor is not a panacea for poverty. The man of wealth should help the poor man to help himself. Men cannot receive without giving some consideration, and if they have not labor or property to give, they give their manhood, their self-respect. Besides, if all should obey this injunction, "Sell what thou hast and give to the poor," who would buy? We know that thousands and millions of rich men lack generosity and have but little feeling for their fellows. The fault is not in the money, not in the wealth, but in the individuals. They would be just as bad were they poor. The only difference is that they would have less power. The good man should regard wealth as an instrumentality, as an opportunity, and he should endeavor to benefit his fellow-men, not by making them the recipients of his charity, but by assisting them to assist themselves. The desire to clothe and feed, to educate and protect, wives and children, is the principal reason for making money—one of the great springs of industry, prudence, and economy.
Those who labor have a right to live. They have a right to what they earn. He who works has a right to home and fireside and to the comforts of life. Those who waste the spring, the summer, and the autumn of their lives must bear the winter when it comes. Many of our institutions are absurdly unjust. Giving the land to the few, making tenants of the many, is the worst possible form of socialism—of paternal government. In most of the nations of our day the idlers and non-producers are either beggars or aristocrats, paupers or princes, and the great middle laboring class support them both. Rags and robes have a liking for each other. Beggars and kings are in accord; they are all parasites, living on the same blood, stealing the same labor—one by beggary, the other by force. And yet in all this there can be found no reason for denouncing the man who has accumulated. One who wishes to tear down his bams and build greater has laid aside something to keep the wolf of want from the door of home when he is dead.