If I were to edit the great books of the world, I might leave out some lines and I might leave out the best. I have no right to make of my brain a sieve and say that only that which passes through belongs to the rest of the human race. I claim the right to choose. I give that right to all.
Walt Whitman had the courage to express his thought—the candor to tell the truth. And here let me say it gives me joy—a kind of perfect satisfaction—to look above the bigoted bats, the satisfied owls and wrens and chickadees, and see the great eagle poised, circling higher and higher, unconscious of their existence. And it gives me joy, a kind of perfect satisfaction, to look above the petty passions and jealousies of small and respectable people, above the considerations of place and power and reputation, and see a brave, intrepid man.
It must be remembered that the American people had separated from the Old World—that we had declared not only the independence of colonies, but the independence of the individual. We had done more—we had declared that the state could no longer be ruled by the church, and that the church could not be ruled by the state, and that the individual could not be ruled by the church.
These declarations were in danger of being forgotten. We needed a new voice, sonorous, loud and clear, a new poet for America, for the new epoch, somebody to chant the morning song of the new day.
The great man who gives a true transcript of his mind, fascinates and instructs. Most writers suppress individuality. They wish to please the public. They flatter the stupid and pander to the prejudice of their readers. They write for the market, making books as other mechanics make shoes. They have no message, they bear no torch, they are simply the slaves of customers.
The books they manufacture are handled by "the trade;" they are regarded as harmless. The pulpit does not object; the young person can read the monotonous pages without a blush—or a thought.
On the title pages of these books you will find the imprint of the great publishers; on the rest of the pages, nothing. These books might be prescribed for insomnia.
III.
Men of talent, men of business, touch life upon few sides. They travel but the beaten path. The creative spirit is not in them. They regard with suspicion a poet who touches life on every side. They have little confidence in that divine thing called sympathy, and they do not and cannot understand the man who enters into the hopes, the aims and the feelings of all others.
In all genius there is the touch of chaos—a little of the vagabond; and the successful tradesman, the man who buys and sells, or manages a bank, does not care to deal with a person who has only poems for collaterals; they have a little fear of such people, and regard them as the awkward countryman does a sleight-of-hand performer.