According to Paley there can be no design without a designer—but there can be a designer without a design. The wonder of the watch suggested the watchmaker, and the wonder of the watchmaker, suggested the creator, and the wonder of the creator demonstrated that he was not created—but was uncaused and eternal.
We had Edwards on The Will, in which the reverend author shows that necessity has no effect on accountability—and that when God creates a human being, and at the same time determines and decrees exactly what that being shall do and be, the human being is responsible, and God in his justice and mercy has the right to torture the soul of that human being forever. Yet Edwards said that he loved God.
The fact is that if you believe in an infinite God, and also in eternal punishment, then you must admit that Edwards and Calvin were absolutely right. There is no escape from their conclusions if you admit their premises. They were infinitely cruel, their premises infinitely absurd, their God infinitely fiendish, and their logic perfect.
And yet I have kindness and candor enough to say that Calvin and Edwards were both insane.
We had plenty of theological literature. There was Jenkyn on the Atonement, who demonstrated the wisdom of God in devising a way in which the sufferings of innocence could justify the guilty. He tried to show that children could justly be punished for the sins of their ancestors, and that men could, if they had faith, be justly credited with the virtues of others. Nothing could be more devout, orthodox, and idiotic. But all of our theology was not in prose. We had Milton with his celestial militia—with his great and blundering God, his proud and cunning Devil—his wars between immortals, and all the sublime absurdities that religion wrought within the blind man's brain.
The theology taught by Milton was dear to the Puritan heart. It was accepted by New England, and it poisoned the souls and ruined the lives of thousands. The genius of Shakespeare could not make the theology of Milton poetic. In the literature of the world there is nothing, outside of the "sacred books," more perfectly absurd.
We had Young's Night Thoughts, and I supposed that the author was an exceedingly devout and loving follower of the Lord. Yet Young had a great desire to be a bishop, and to accomplish that end he electioneered with the king's mistress. In other words, he was a fine old hypocrite. In the "Night Thoughts" there is scarcely a genuinely honest, natural line. It is pretence from beginning to end. He did not write what he felt, but what he thought he ought to feel.
We had Pollok's Course of Time, with its worm that never dies, its quenchless flames, its endless pangs, its leering devils, and its gloating God. This frightful poem should have been written in a madhouse. In it you find all the cries and groans and shrieks of maniacs, when they tear and rend each other's flesh. It is as heartless, as hideous, as hellish as the thirty-second chapter of Deuteronomy.
We all know the beautiful hymn commencing with the cheerful line: "Hark from the tombs, a doleful sound." Nothing could have been more appropriate for children. It is well to put a coffin where it can be seen from the cradle. When a mother nurses her child, an open grave should be at her feet. This would tend to make the babe serious, reflective, religious and miserable.
God hates laughter and despises mirth. To feel free, untrammeled, irresponsible, joyous,—to forget care and death—to be flooded with sunshine without a fear of night—to forget the past, to have no thought of the future, no dream of God, or heaven, or hell—to be intoxicated with the present—to be conscious only of the clasp and kiss of the one you love—this is the sin against the Holy Ghost.