For all the blessings that we now enjoy—for progress in every form, for science and art—for all that has lengthened life, that has conquered disease, that has lessened pain, for raiment, roof and food, for music in its highest forms—for the poetry that has ennobled and enriched our lives—for the marvellous machines now working for the world—for all this we are indebted to the worldly—to those who turned their attention to the affairs of this life. They have been the only benefactors of our race.
II.
AND yet all of these religions—these "sacred books," these priests, have been naturally produced. From the dens and caves of savagery to the palaces of civilization men have traveled by the necessary paths and roads. Back of every step has been the efficient cause. In the history of the world there has been no chance, no interference from without, nothing miraculous. Everything in accordance with and produced by the facts in nature.
We need not blame the hypocritical and cruel. They thought and acted as they were compelled to think and act.
In all ages man has tried to account for himself and his surroundings. He did the best he could. He wondered why the water ran, why the trees grew, why the clouds floated, why the stars shone, why the sun and moon journeyed through the heavens. He was troubled about life and death, about darkness and dreams. The seas, the volcanoes, the lightning and thunder, the earthquake and cyclone, filled him with fear. Behind all life and growth and motion, and even inanimate things, he placed a spirit—an intelligent being—a fetich, a person, something like himself—a god, controlled by love and hate. To him causes and effects became gods—supernatural beings. The Dawn was a maiden, wondrously fair, the Sun, a warrior and lover; the Night, a serpent, a wolf—the Wind, a musician; Winter, a wild beast; Autumn, Proserpine gathering flowers.
Poets were the makers of these myths. They were the first to account for what they saw and felt. The great multitude mistook these fancies for facts. Myths strangely alike, were produced by most nations, and gradually took possession of the world.
The Sleeping Beauty, a myth of the year, has been found among most peoples. In this myth, the Earth was a maiden—the Sun was her lover, She had fallen asleep in winter. Her blood was still and her breath had gone. In the Spring the lover came, clasped her in his arms, covered her lips and cheeks with kisses. She was thrilled, her heart began to beat, she breathed, her blood flowed, and she awoke to love and joy. This myth has made the circuit of the globe.
So, Red Riding-Hood is the history of a day. Little Red Riding-Hood—the morning, touched with red, goes to visit her kindred, a day that is past. She is attacked by the wolf of night and is rescued by the hunter, Apollo, who pierces the heart of the beast with an arrow of light.
The beautiful myth of Orpheus and Eurydice is the story of the year. Eurydice has been captured and carried to the infernal world. Orpheus, playing upon his harp, goes after her. Such is the effect of his music when he reaches the realm of Pluto, the laughterless, that Tantalus ceases his efforts to slake his thirst. He listens and forgets his withered lips, the daughters of the Danaides cease their vain efforts to fill the sieve with water, Sisyphus sits down on the stone that he so often had heaved against the mountain's misty side, Ixion pauses upon his wheel of fire, even Pluto smiles, and for the first time in the history of hell the cheeks of the Furies are wet with tears.
"Give me back Eurydice," cried Orpheus, and Pluto said: "Take her, but look not back." Orpheus led the way and Eurydice followed. Just as he reached the upper world, he missed her footsteps, turned, looked, and she vanished.