He did more to break the chains of superstition—to drive the phantoms of fear from the heart and brain, to destroy the authority of the church and to give liberty to the world than any other of the sons of men. In the highest, the holiest sense he was the most profoundly religious man of his time.
VI. THE RETURN.
AFTER an exile of twenty-seven years, occupying during all that time a first place in the civilized world, Voltaire returned to Paris. His journey was a triumphal march. He was received as a conqueror. The Academy, the Immortals, came to meet him—a compliment that had never been paid to royalty. His tragedy of "Irene" was performed. At the theatre he was crowned with laurel, covered with flowers; he was intoxicated with perfume and with incense of worship. He was the supreme French poet, standing above them all. Among the literary men of the world he stood first—a monarch by the divine right of genius. There were three mighty forces in France—the throne, the altar and Voltaire.
The king was the enemy of Voltaire. The court could have nothing to do with him. The church, malign and morose, was waiting for her revenge, and yet, such was the reputation of this man—such the hold he had upon the people—that he became, in spite of Throne, in spite of Church, the idol of France.
He was an old man of eighty-four. He had been surrounded with the comforts, the luxuries of life. He was a man of great wealth, the richest writer that the world had known. Among the literary men of the earth he stood first. He was an intellectual king—one who had built his own throne and had woven the purple of his own power. He was a man of genius. The Catholic God had allowed him the appearance of success. His last years were filled with the intoxication of flattery—of almost worship. He stood at the summit of his age.
The priests became anxious. They began to fear that God would forget, in a multiplicity of business, to make a terrible example of Voltaire.
Towards the last of May, 1778, it was whispered in Paris that Voltaire was dying. Upon the fences of expectation gathered the unclean birds of superstition, impatiently waiting for their prey.
"Two days before his death, his nephew went to seek the Curé of Saint Sulpice and the Abbé Gautier, and brought them into his uncle's sick chamber. 'Ah, well!' said Voltaire, 'give them my compliments and my thanks.' The Abbé spoke some words to him, exhorting him to patience. The curé of Saint Sulpice then came forward, having announced himself, and asked of Voltaire, elevating his voice, if he acknowledged the divinity of our Lord Jesus Christ. The sick man pushed one of his hands against the curés coif, shoving him back and cried, turning abruptly to the other side, 'Let me die in peace.' The curé seemingly considered his person soiled and his coif dishonored by the touch of a philosopher. He made the nurse give him a little brushing and went out with the Abbé Gautier."
He expired, says Wagnière, on the 30th of May, 1778, at about a quarter-past eleven at night, with the most perfect tranquillity. A few minutes before his last breath he took the hand of Morand, his valet de chambre, who was watching by him, pressed it, and said: "Adieu, my dear Morand, I am gone." These were his last words. Like a peaceful river with green and shaded banks, he flowed without a murmur into the waveless sea, where life is rest.
From this death, so simple and serene, so kind, so philosophic and tender, so natural and peaceful; from these words, so utterly destitute of cant or dramatic touch, all the frightful pictures, all the despairing utterances, have been drawn and made. From these materials, and from these alone, or rather, in spite of these facts, have been constructed by priests and clergymen and their dupes all the shameless lies about the death of this great and wonderful man. A man, compared with whom all of his calumniators, dead and living, were, and are, but dust and vermin.