The provincial prudes, and others of like mold, pretend that love is a duty rather than a passion—a kind of self-denial—not an over-mastering joy. They preach the gospel of pretence and pantalettes, In the presence of sincerity, of truth, they cast down their eyes and endeavor to feel immodest. To them, the most beautiful thing is hypocrisy adorned with a blush.

They have no idea of an honest, pure passion, glorying in its strength—intense, intoxicated with the beautiful, giving even to inanimate things pulse and motion, and that transfigures, ennobles, and idealizes the object of its adoration.

They do not walk the streets of the city of life—they explore the sewers; they stand in the gutters and cry "Unclean!" They pretend that beauty is a snare; that love is a Delilah; that the highway of joy is the broad road, lined with flowers and filled with perfume, leading to the city of eternal sorrow.

Since the year 1855 the American people have developed; they are somewhat acquainted with the literature of the world. They have witnessed the most tremendous of revolutions, not only upon the fields of battle, but in the world of thought. The American citizen has concluded that it is hardly worth while being a sovereign unless he has the right to think for himself.

And now, from this height, with the vantage-ground of to-day, I propose to examine this book and to state, in a general way, what Walt Whitman has done, what he has accomplished, and the place he has won in the world of thought.

II. THE RELIGION OF THE BODY.

WALT WHITMAN stood when he published his book, where all stand to-night, on the perpetually moving line where history ends and prophecy begins. He was full of life to the very tips of his fingers—brave, eager, candid, joyous with health. He was acquainted with the past. He knew something of song and story, of philosophy and art; much of the heroic dead, of brave suffering, of the thoughts of men, the habits of the people—rich as well as poor—familiar with labor, a friend of wind and wave, touched by love and friendship, liking the open road, enjoying the fields and paths, the crags, friend of the forest—feeling that he was free—neither master nor slave; willing that all should know his thoughts; open as the sky, candid as nature, and he gave his thoughts, his dreams, his conclusions, his hopes and his mental portrait to his fellow-men.

Walt Whitman announced the gospel of the body. He confronted the people. He denied the depravity of man. He insisted that love is not a crime; that men and women should be proudly natural; that they need not grovel on the earth and cover their faces for shame, He taught the dignity and glory of the father and mother; the sacredness of maternity.

Maternity, tender and pure as the tear of pity, holy as suffering—the crown, the flower, the ecstasy of love!

People had been taught from Bibles and from creeds that maternity was a kind of crime; that the woman should be purified by some ceremony in some temple built in honor of some god. This barbarism was attacked in "Leaves of Grass."