And yet this man, so natural, keeping his cheek so close to the breast of nature, strangely enough thought that Pope and Churchill and Shenstone and Thomson and Lyttelton and Beattie were great poets.
His first poem was addressed to Nellie Kilpatrick, daughter of the blacksmith. He was in love with Ellison Begbie, offered her his heart and was refused. She was a servant, working in a family and living on the banks of the Cessnock. Jean Armour, his wife, was the daughter of a tailor, and Highland Mary, a servant—a milk-maid.
He did not make women of goddesses, but he made goddesses of women.
POET OF LOVE.
Burns was the poet of love. To him woman was divine. In the light of her eyes he stood transfigured. Love changed this peasant to a king; the plaid became a robe of purple; the ploughman became a poet; the poor laborer an inspired lover.
In his "Vision" his native Muse tells the story of his verse:
"When youthful Love, warm-blushing strong,
Keen-shivering shot thy nerves along,
Those accents, grateful to thy tongue,
Th' adored Name,
I taught thee how to pour in song,
To soothe thy flame."
Ah, this light from heaven: how it has purified the heart of man!
Was there ever a sweeter song than "Bonnie Doon"?
"Thou'lt break my heart thou bonnie bird
That sings beside thy mate,
For sae I sat and sae I sang,
And wist na o' my fate."