I know that at present the lives of many millions are practically without value, but in my judgment, the world is growing a little better every day. On the average, men have more comforts, better clothes, better food, more books and more of the luxuries of life than ever before.
Question. It is said that properly to appreciate Rousseau, Voltaire, Hugo and other French classics, a thorough knowledge of the French language is necessary. What is your opinion?
Answer. No; to say that a knowledge of French is necessary in order to appreciate Voltaire or Hugo is nonsensical. For a student anxious to study the works of these masters, to set to work to learn the language of the writers would be like my building a flight of stairs to go down to supper. The stairs are already there. Some other person built them for me and others who choose to use them.
Men have spent their lives in the study of the French and English, and have given us Voltaire, Hugo and all other works of French classics, perfect in sentiment and construction as the originals are. Macaulay was a great linguist, but he wrote no better than Shakespeare, and Burns wrote perfect English, though virtually uneducated. Good writing is a matter of genius and heart; reading is application and judgment.
I am of the opinion that Wilbur's English translation of "Les Miserables" is better than Hugo's original, as a literary masterpiece.
What a grand novel it is! What characters, Jean Valjean and Javert!
Question. Which in your opinion is the greatest English novel?
Answer. I think the greatest novel ever written in English is "A Tale of Two Cities," by Dickens. It is full of philosophy; its incidents are dramatically grouped. Sidney Carton, the hero, is a marvelous creation and a marvelous character. Lucie Manette is as delicate as the perfume of wild violets, and cell 105, North Tower, and scenes enacted there, almost touch the region occupied by "Lear." There, too, Mme. Defarge is the impersonation of the French Revolution, and the nobleman of the chateau with his fine features changed to stone, and the messenger at Tellson's Bank gnawing the rust from his nails; all there are the creations of genius, and these children of fiction will live as long as Imagination spreads her many-colored wings in the mind of man.
Question. What do you think of Pope?
Answer. Pope! Alexander Pope, the word-carpenter, a mechanical poet, or stay—rather a "digital poet;" that fits him best—one of those fellows who counts his fingers to see that his verse is in perfect rhythm. His "Essay on Man" strikes me as being particularly defective. For instance: