His popularity rested upon his absolute integrity. He was not adapted for a leader, because he would yield nothing. He had no compromise in his nature. He went his own road and he would not turn aside for the sake of company. His individuality was too marked and his will too imperious to become a leader in a republic. There is a great deal of individuality in this country, and a leader must not appear to govern and must not demand obedience. In the Senate he was a leader. He settled with no one.
Question. What essentially American idea does he stand for?
Answer. It is a favorite saying in this country that the people are sovereigns. Mr. Conkling felt this to be true, and he exercised what he believed to be his rights. He insisted upon the utmost freedom for himself. He settled with no one but himself. He stands for individuality—for the freedom of the citizen, the independence of the man. No lord, no duke, no king was ever prouder of his title or his place than Mr. Conkling was of his position and his power. He was thoroughly American in every drop of his blood.
Question. What have you to say about his having died with sealed lips?
Answer. Mr. Conkling was too proud to show wounds. He did not tell his sorrows to the public. It seemed sufficient to him to know the facts himself. He seemed to have great confidence in time, and he had the patience to wait. Of course he could have told many things that would have shed light on many important events, but for my part I think he acted in the noblest way.
He was a striking and original figure in our politics. He stood alone. I know of no one like him. He will be remembered as a fearless and incorruptible statesman, a great lawyer, a magnificent speaker, and an honest man.
—The Herald, New York, April 19, 1888.
THE CHURCH AND THE STAGE.
Question. I have come to talk with you a little about the drama. Have you any decided opinions on that subject?
Answer. Nothing is more natural than imitation. The little child with her doll, telling it stories, putting words in its mouth, attributing to it the feelings of happiness and misery, is the simple tendency toward the drama. Little children always have plays, they imitate their parents, they put on the clothes of their elders, they have imaginary parties, carry on conversation with imaginary persons, have little dishes filled with imaginary food, pour tea and coffee out of invisible pots, receive callers, and repeat what they have heard their mothers say. This is simply the natural drama, an exercise of the imagination which always has been and which, probably, always will be, a source of great pleasure. In the early days of the world nothing was more natural than for the people to re-enact the history of their country—to represent the great heroes, the great battles, and the most exciting scenes the history of which has been preserved by legend. I believe this tendency to re-enact, to bring before the eyes the great, the curious, and pathetic events of history, has been universal. All civilized nations have delighted in the theatre, and the greatest minds in many countries have been devoted to the drama, and, without doubt, the greatest man about whom we know anything devoted his life to the production of plays.