Athens Co., Ohio, May 4, 1855.
1495. My Dear Sir: I have been here these three days, witnessing the wonderful spirit manifestations of which we have heard so much. Allow me to assure you that the published account of them is no more to the reality than shadow is to substance. No pen can describe, and if it could, I believe no mind could believe that had not witnessed them. The spirits talk audibly through a trumpet, not with good articulation, but as if the process were mechanical. On the accordeon, however, the language is exquisitely articulated, being some beautiful air or catch, according to the number of words; the harmony being perfect, and every note forming a part or whole word. They frequently move overhead, next the ceiling, with a rapidity of motion inconceivably astounding, blowing a trumpet with deafening blasts at times, or beating a tamborine or some other instrument.
1496. One of the exhibitions represents a spirit hand during this circuit, beating a tamborine, there being a piece of sand-paper with phosphorus on it, which they use for illuminating the hand. I saw them begin the work and complete it. The hand was small and delicate, and flew all over the room with something like the rapidity of light on a broken surface of water, frequently snapping the fingers, and stopping often near to myself and others, that we might see it to full advantage.
1497. Another hand, which I could not see, touched me, but I took hold of it. It seemed as if covered with buckskin.
1498. The spirits are now contriving a plan to exhibit in the light. They say that light destroys the conditions necessary by their present system, even that evolved by the phosphorus rendering the operation very difficult.
1499. It appears evident that spirits to be seen with material eyes are obliged to materialize themselves, or else spiritualize our vision; and these things have been done repeatedly.
1500. I have not yet seen them write. I have heard them talk and play on many instruments by the hour. There is a base and tenor drum on which they perform with such violence, that it is almost deafening at times, and the whole house resounds till it shakes throughout. Some of the music is seraphic, especially when they speak with the harmonicon, when it is more unearthly in its character than I should have been able to imagine.
1501. The spirit houses are distinct buildings of one room, dark as Erebus, and rather lonesome places, in this wilderness. I have, nevertheless, obtained permission to sleep on the floor each night in one: and during two of those nights I have been favoured with faint music on the drums. Last night, from the moment I extinguished the light, drumming was continued throughout the night, accompanied by a few notes on the violin.
1502. The spirit said last night, “I can’t play a bit,” but, nevertheless, he played some things delightfully. This was a new performer, who had sent word he would perform this night, and that he was a German.
1503. One spirit attempted to sing through the trumpet, but could not make music; after each failure he would stop a minute, and then, very good-naturedly, say, “I will try again.” This he did several times, when he added “What shall I do for you, if I can’t sing?” He at length took up an accordeon, and succeeded better on that; but I presume did not suit himself, as he would exclaim every once in a while, “Oh, dear!” very despondingly.