For Adelle had no doubts. It was the greatest night of her life. She drove the car recklessly, but splendidly. Every now and then she would turn her pale face to her lover and say peremptorily,—"Kiss me, Archie!"—and Archie dutifully gave the kiss, which seemed to be all the stimulant she needed.
The wild rush through the night beside her lover appeased something within her. It answered her craving for romance, newly awakened, for daring and desperation and achievement of bliss. She felt exalted, proud of herself, as if she were vindicating her claim to character. To-morrow, when Pussy Comstock and the girls found that she had gone, they would know that she was no weak fool. And by that time, of course, it would all be over—irrevocable.
"You'll marry me as soon as we get there," she remarked once to Archie in exactly the same tone as she said, "Kiss me, Archie." The young man falteringly replied,—"Of course, if we can."
"Of course we can! Why not?" Adelle replied firmly. "Americans can marry any time."
She felt sure that speedy marriage was an inalienable right that went with American citizenship together with the privilege of getting divorced whenever one cared to. Archie was by no means so sure of this point, but he thought it well not to discuss it until they both had more exact information. So the car bowled along through the night at a good forty miles an hour.
Long before they reached Paris the sun had come up out of the hot meadows along the road and they were forced to stop at Chartres for petrol and breakfast. Adelle wanted to cut the breakfast to a bowl of hot coffee, but Archie firmly insisted that they must be braced with food for the ordeal before them. She yielded to Archie and reluctantly descended from her seat, stiff with fatigue but elated. After breakfast Archie suggested that they should leave the car at the inn and proceed to Paris conventionally by train. But Adelle would not give up one kilometre of her great dash for liberty and Archie. Nor would she consider his going on by train to make arrangements for the marriage.
So they resumed their rapid flight, but mishaps with tires began, and it was noon before they entered the Porte Maillot. As they drove past the Villa Ponitowski, Adelle looked furtively up at the shutters as if she expected to see Pussy's severe face lurking there. She guided the machine to the Rue de l'Université and stopped beneath Miss Baxter's studio windows. If Archie had proposed it, she would have gone at once to a hotel with him and registered, but he prudently suggested the studio, where he hoped to find Cornelia Baxter. But the sculptress had gone away somewhere, and the big room was empty—also hot and dusty. They sat down before the fireless stove and looked at each other.
Adelle was very tired and on the verge of hysterical tears. Archie had not been very efficient in the tire trouble. She felt that now, at any rate, he should take hold of their situation and manage. But Archie seemed helpless, was not at home in the situation. (If Adelle had had more experience she might have been chilled even now by his conduct and managed her life differently.)
"I'm so tired," she moaned, throwing herself down on the divan. "Don't you love me, Archie?"
Of course he did, but he did not offer to embrace her, and she was obliged to go over to where he sat in a wilted attitude and embrace him.